10 Best Movies Like As Above, So Below (Ranked & Where to Stream)

Neil Marshall's "The Descent" is arguably the closest film to capturing the sheer, suffocating dread of "As Above, So Below," trading Parisian catacombs for unexplored Appalachian caves. While not found footage, its tight, visceral cinematography plunges viewers into an almost unbearable claustrophobia, mirroring the physical and psychological pressures Scarlett and her team face. The film expertly builds tension through environmental peril before unleashing its monstrous creatures, forcing its protagonists to confront not only external threats but also their own personal traumas and dwindling sanity. It's a masterclass in relentless, subterranean horror that leaves you gasping for air and questioning reality, making it an essential watch for fans of "As Above, So Below."

"Grave Encounters" stands as a found footage powerhouse, offering a chillingly effective take on paranormal investigation that resonates deeply with the spirit of "As Above, So Below." Following a ghost hunting reality TV crew locked overnight in an abandoned psychiatric hospital, the film descends into a terrifying labyrinth where doors vanish, hallways extend indefinitely, and sanity frays. Its genius lies in its ability to distort perception and space, creating a hellish dimension that feels inescapable—a direct thematic parallel to the catacombs transforming into a personal purgatory. The escalating scares and the characters' desperate attempts to escape are palpable, cementing its place as a top recommendation for fans.

"Hell House LLC" is a gem in the found footage subgenre, delivering sustained dread reminiscent of "As Above, So Below" through its clever premise. A documentary about a haunted house attraction that ended in tragedy, the film pieces together footage from the crew's setup days. It masterfully uses its confined, maze-like setting to build psychological tension, with seemingly innocuous props slowly shifting and becoming menacing. The terror isn't just about jump scares; it's the insidious realization that something malevolent is toying with the characters, isolating them in a structure that itself becomes a character. This slow-burn, atmospheric horror captures the feeling of being trapped with forces beyond comprehension.

This chilling found footage film presents a documentary crew chronicling an elderly woman's descent into Alzheimer's, only to uncover something far more sinister. "The Taking of Deborah Logan" aligns with "As Above, So Below" in its portrayal of a harrowing, inescapable personal hell. While not subterranean, Deborah's deteriorating mind and body become the claustrophobic arena where an ancient, malevolent entity takes root. The film expertly blurs the lines between mental illness and supernatural possession, creating a deeply unsettling and emotionally resonant horror that forces viewers to confront the terrifying loss of self, echoing the psychological torments faced within the catacombs.

For those who appreciated "As Above, So Below's" dive into forbidden knowledge and the occult, "The Possession of Michael King" offers a compelling parallel. A skeptical filmmaker sets out to disprove the existence of God and demons by inviting practitioners to summon dark entities upon himself. Of course, things go horribly wrong, transforming his scientific inquiry into a terrifying personal descent into possession. The found footage format lends intimacy to his spiraling ordeal, making his physical and psychological deterioration brutally effective. It's a cautionary tale about dabbling in the unknown, highlighting the grave consequences of underestimating ancient, malevolent forces.

"Afflicted" begins as a breezy found footage travelogue, much like the initial exploration phase in "As Above, So Below," before taking a dark and unexpected turn. Two friends touring Europe encounter a mysterious affliction that rapidly transforms one of them into something monstrous. The film skillfully uses its format to document the shocking, escalating horror of this supernatural illness and the desperate attempts to understand and cure it. The sense of a journey gone horribly, inexplicably wrong, coupled with the visceral, immediate perspective of found footage, creates a horrifying and relentless experience that resonates with the unforeseen terrors of the catacombs.

"Creep" delivers a raw, visceral dose of claustrophobic terror that will resonate with fans of "As Above, So Below's" subterranean dread. Trapped in the labyrinthine tunnels of the London Underground, a woman finds herself stalked by a monstrous, deformed killer. While lacking the explicit supernatural elements, the film excels in generating suffocating tension within its grimy, inescapable setting. The feeling of being hunted in a confined, forgotten space, far beneath the bustling city, creates a primal sense of vulnerability and helplessness. It's a relentless survival thriller that taps into the same deep-seated fears of being lost and pursued in the dark.

"The Last Breath" offers a compelling environmental horror experience, echoing the "trapped and exploring a dangerous, unknown space" theme central to "As Above, So Below." A group of friends reunites for a Caribbean scuba diving trip, venturing into the wreckage of a WWII battleship. What starts as an adventure quickly turns into a nightmare as they become trapped in the crumbling, underwater labyrinth. The film skillfully uses its aquatic setting to create intense claustrophobia and the constant threat of dwindling oxygen and structural collapse, delivering a visceral survival story that emphasizes the terrifying fragility of life in extreme, confined environments.

"Lake Mungo" offers a more subdued, yet profoundly unsettling, found footage experience than "As Above, So Below," focusing on psychological depth and atmospheric dread. Presented as a mockumentary investigating the death of 16-year-old Alice Palmer, the film gradually unearths a pervasive sense of grief, secrets, and a haunting supernatural presence. While it foregoes the immediate action and subterranean setting, its genius lies in the slow, insidious revelation of truths, both human and spectral, that blur the line between reality and the paranormal. It’s a masterclass in chilling ambiguity, leaving a lingering sense of unease that speaks to the deeper, existential fears explored in "As Above, So Below."

"V/H/S" serves as a landmark found footage anthology, and while not all its segments directly mirror "As Above, So Below," its overarching format and specific vignettes embody the raw, unpolished horror and supernatural chaos. The framing narrative, involving delinquents breaking into a house to steal a mysterious VHS tape, sets a gritty tone. Standout segments like "Amateur Night," with its monstrous creature, deliver visceral, immediate terror that aligns with AASB's jump scares and sudden horror. This collection celebrates the found footage aesthetic, offering diverse interpretations of modern horror that embrace its unpredictable, unsettling nature, making it a stylistic cousin to the catacombs' terrifying journey.