10 Best Movies Like Get Out (Ranked & Where to Watch)

Brandon Cronenberg's 'Possessor' plunges viewers into a chilling exploration of body autonomy and identity, echoing 'Get Out's' profound anxieties about losing control of one's physical and mental self. Here, a corporate assassin uses brain-implant technology to hijack others' bodies, blurring the lines of who is truly in control. Like Chris Washington's horrifying discovery in the Armitage home, the film dissects the terror of being a prisoner in your own flesh, presenting a visceral, unsettling vision of exploitation and the ultimate commodification of consciousness. Its surreal, body-horror aesthetic and deeply psychological tension make it a prime choice for fans seeking that same unsettling sense of invasion and dread.

Delving into a gothic mental institution, 'Stonehearst Asylum' masterfully constructs a reality where nothing is as it seems, much like the unnerving facade of the Armitage estate. A young doctor arrives, only to find himself embroiled in a web of deception, identity confusion, and psychological manipulation that mirrors Chris's increasing paranoia and gaslighting by the seemingly benevolent white family. The film excels at creating an atmosphere of institutional dread, where the very people meant to help are the ones perpetrating the horror. It’s a compelling watch for those who appreciate 'Get Out's' exploration of systemic deceit and the chilling question of who truly holds the power.

Michael Haneke's 'Funny Games' offers a different, yet equally disturbing, brand of psychological horror rooted in violation and social commentary, resonating with the unsettling undercurrents of 'Get Out'. Two polite, seemingly innocent young men invade a family's holiday home, subjecting them to a series of psychological tortures. While lacking 'Get Out's' racial themes, 'Funny Games' shares its deliberate slowness, building excruciating tension and a sense of absolute helplessness. It critiques audience complicity in violence, creating a visceral discomfort that leaves viewers as unnerved as Chris Washington finding himself trapped in the Armitage's sinister game. A challenging, essential watch.

Robert Aldrich's 'Hush... Hush, Sweet Charlotte' masterfully weaves a tale of Southern Gothic psychological horror that shares 'Get Out's' exploration of deep-seated familial and societal pathology. Bette Davis stars as an aging belle haunted by a violent past, whose sanity unravels upon the arrival of a manipulative relative. The film captures a similar sense of historical dread and the insidious corruption hidden beneath a polite, genteel surface. Like Chris unearthing the Armitage family's horrifying secret, 'Charlotte' forces its protagonist—and the audience—to question reality, trust, and the true motives of those around her, culminating in a shocking, unsettling climax.

The unsettling German film 'Goodnight Mommy' (or its English remake) crafts a profoundly disturbing narrative around identity and trust, echoing 'Get Out's' theme of things not being as it seem within a domestic sphere. When twin brothers return home to find their mother's face bandaged after surgery and her demeanor drastically changed, they begin to suspect she isn't their mother at all. This film thrives on an uncanny sense of dread and psychological paranoia, presenting a nightmare scenario where the most familiar figure becomes a source of terror. It captures the essence of insidious uncertainty and the horror of a home turned hostile, a feeling Chris knows all too well.

'Awake' taps into a primal fear that resonates profoundly with 'Get Out's' most iconic image: the 'sunken place'. The film centers on a man undergoing heart surgery who experiences 'anesthetic awareness', meaning he is fully conscious but paralyzed, able to hear and feel everything. This literal representation of being trapped within one's own body, utterly helpless yet horrifyingly aware, directly mirrors Chris Washington's terrifying mental imprisonment. It's a visceral, claustrophobic experience that exploits the terror of losing all agency while your mind remains agonizingly active, making it a powerful companion piece for exploring themes of bodily control and psychological entrapment.

Robert Rodriguez's 'Hypnotic' leans heavily into the mind-bending and reality-altering aspects that make 'Get Out' so compelling, particularly its themes of mental manipulation and hidden agendas. The film follows a detective investigating a string of bizarre crimes, only to uncover a secret government program involving advanced hypnotic control and a mystery around his missing daughter. This journey into a world where perception can be weaponized and memories aren't to be trusted generates a palpable sense of paranoid dread, mirroring Chris's disorienting realization that the Armitage family has far more control than he could ever imagine. It's a stylish, twisty ride into psychological warfare.

'Burnt Offerings' is a classic slow-burn horror film that shares 'Get Out's' chilling premise of an idyllic, isolated setting harboring a sinister, consuming evil. A family rents a stately, secluded mansion for the summer, only to find the house itself exerting an insidious, malevolent influence, slowly corrupting its inhabitants. Like the Armitage estate, which subtly but surely strips Chris of his autonomy, this film depicts a psychological unraveling driven by an external, oppressive force. It's a masterclass in atmospheric dread, depicting how a seemingly charming environment can become a prison that feeds on its unsuspecting occupants, making it a compelling precursor to modern social horror.

'Nocebo' offers a unique blend of psychological and folk horror that resonates with 'Get Out's' exploration of cultural exploitation and bodily invasion. A fashion designer suffers from a mysterious, debilitating illness that doctors cannot diagnose. Help arrives in the form of a Filipino caregiver who uses traditional folk remedies, but her presence slowly unravels deeper, more insidious secrets. The film touches upon themes of medical gaslighting and the body becoming a vessel for external forces, echoing Chris's plight. It's a disquieting look at how hidden histories and manipulative individuals can erode one's sense of self and control, presenting a compelling, unsettling narrative.

Brian De Palma's 'Raising Cain' delves into the fragmented psyche and manipulative machinations that give 'Get Out' its psychological bite. The film follows a child psychologist grappling with a dark, troubled past and multiple personalities who begin to take over his life. This intense psychological thriller explores themes of identity erosion, gaslighting, and the terror of realizing someone close to you is not who they seem to be—or perhaps, isn't even one person. It creates a dizzying sense of an unreliable reality, mirroring the disorienting and terrifying experience of Chris Washington as he uncovers the Armitage family's sinister practices.