Grown Ups 2 Review: A Choppy, Unfunny Sequel

Published on October 3, 2026
Review of Grown Ups 2

Introduction

Anticipation for a sequel to Grown Ups was met with a collective shrug by many, particularly those who found its predecessor, Grown Ups, to be little more than a forgettable, phoned-in effort from Adam Sandler and his comedic ensemble. The first film, far from a "comedy masterpiece," seemed to exist primarily as a vehicle for a paid vacation for Sandler and his friends. With such a lukewarm reception for the original, the prospect of a sequel raised questions: could it possibly improve, or would it simply perpetuate the tradition of cheap, quick, and unfunny comedy? Unfortunately, Grown Ups 2 largely leans into the latter, delivering a cinematic experience that, for the most part, confirms the lowest of expectations. While there were fleeting moments that hinted at "potential," the film ultimately struggles to translate those glimmers into a cohesive or genuinely entertaining reality.

The Lead Dynamic & The Action

The core appeal, for some, lies in the reunion of Adam Sandler, Chris Rock, David Spade, and Kevin James, alongside their on-screen wives, including Salma Hayek Pinault, Maya Rudolph, and Maria Bello. The film even playfully acknowledges the often-noted disparity in attractiveness between the male leads and their spouses, a rare moment of self-awareness. However, this brief nod to reality quickly gives way to a series of increasingly bizarre and disconnected comedic set pieces. The film's humor often relies on shock value and gross-out gags, exemplified by the infamous opening scene where Adam Sandler's character awakens to a deer in his bedroom, only for the animal to stand on its hind legs and urinate directly onto his face. This moment, intended for laughs, instead highlights the film's reliance on crude, low-effort comedy. Later, the absurdity escalates with a chase involving what the reviewer aptly describes as an "R Kelly moose," further cementing the film's commitment to outlandish, yet often unfunny, scenarios. These isolated comedic beats, rather than building on each other, simply exist, leaving the audience to endure awkward silences when the intended humor fails to land.

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Cameos, Nostalgia & Narrative Stakes

One of the most glaring issues plaguing Grown Ups 2 is its fragmented narrative structure. The film unfolds as a series of isolated scenes, each designed to deliver a singular joke before abruptly transitioning to the next. This "rinse and repeat" pattern creates a choppy, disjointed viewing experience, where "every moment is an isolated moment that has nothing to do with the moment before and will have nothing to do with the moment to come." This approach, while perhaps aiming for a sketch-comedy feel, ultimately undermines any sense of plot progression or character development. The film is also packed with a plethora of cameos, from Taylor Lautner as a "douchebag college kid," and even Shaquille O'Neal. While these appearances might offer fleeting recognition, they often feel like distractions rather than integral parts of the story. The movie does attempt to inject some nostalgia with various 80s references, which are noted as one of its few commendable aspects. However, these nostalgic touches and the parade of familiar faces fail to compensate for the fundamental lack of narrative stakes or a cohesive storyline, leaving the audience with little to invest in beyond the next isolated gag.

Tone, Direction & Creative Freedom

The directorial hand of Dennis Dugan struggles to maintain a consistent tone or effective comedic rhythm throughout Grown Ups 2. In comedy, timing is paramount, and this film's timing is consistently "off." Jokes are frequently followed by an extended beat, a deliberate pause for audience reaction that, when the joke isn't funny, transforms into an uncomfortable, drawn-out silence. This awkwardness permeates much of the film, making the viewing experience unpleasant. The reviewer's strong reaction to the first half, labeling it "complete dog" and expressing genuine hatred, speaks volumes about the film's initial missteps. While the second half is acknowledged as "more enjoyable" by comparison, it's a relative improvement within a low bar, still characterized as "absurd nonsense." The editing is criticized for being choppy, and the overall delivery of the humor feels unpolished and uninspired. It appears that either the creative vision was muddled, or the filmmakers were given too much freedom without a clear comedic compass, resulting in a product that feels both haphazard and unfunny.

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The Final Verdict

Ultimately, Grown Ups 2 is a difficult film to recommend. Despite the star power of Adam Sandler, Chris Rock, David Spade, and Kevin James, the movie largely fails to deliver on its comedic promises. Its fragmented structure, relying on isolated and often unfunny gags, prevents any meaningful engagement with the characters or plot. While there are a handful of lines that might elicit a chuckle and some appreciated 80s references, these bright spots are too few and far between to salvage the overall experience. The film's awkward comedic timing and the reviewer's definitive statement that "Grown-Ups 2 is dog" and "I won't recommend the movie to anybody" serve as a clear indictment. This is a movie that, despite its efforts, will likely fade from memory within minutes of the credits rolling, leaving little lasting impression beyond a sense of missed comedic opportunities.

What Worked

  • Brief moments of potential humor.
  • A few genuinely funny lines.
  • The second half is marginally better than the first.
  • Nods to 80s pop culture.
  • Acknowledges the "too hot for them" wives trope.

What Didn't Work

  • Choppy editing and isolated scenes.
  • Comedic timing is consistently off.
  • First half is largely unfunny and "dog."
  • Lack of narrative coherence or stakes.
  • Many jokes fall flat, leading to awkward silences.

Frequently Asked Questions

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Final Rating
1 / 5

Screenverse editorial scores are graded on a 5-star standard based on narrative coherence, pacing, cinematography, and artistic execution.

Leo Sterling
Editorial Reviewer

Leo Sterling

Senior Film Critic & Entertainment Journalist

Leo Sterling has over a decade of experience in cinema critique, screenwriting analysis, and festival coverage. He leads the editorial voice at Screenverse, ensuring all reviews provide impartial, spoiler-conscious insights for film enthusiasts.