Meg 2: The Trench Review: Shallow Spectacle, Deep Boredom

Published on October 2, 2026
Review of Meg 2: The Trench

Introduction

Anticipation for a sequel to the deep-sea monster romp was palpable, with promises of "more Megs" and bigger, bolder action. Meg 2: The Trench arrives with the expectation of delivering a chaotic, over-the-top creature feature. However, what audiences receive is a film that largely drowns in its own narrative before finding a fleeting, cheesy pulse in its final moments.

The Lead Dynamic & The Action

The film certainly goes bigger, featuring more Megalodons, new locations, and even sequences of characters walking on the ocean floor. Yet, this expansion doesn't translate into the expected carnage. For a significant portion of its runtime—an hour and fifteen minutes, to be precise—the film feels like a "snooze fest," a dollar-store imitation of deeper, more engaging aquatic thrillers. The promise of a "shark bloodbath" is consistently undercut by a PG-13 rating, which limits the visceral impact one might expect from a movie about giant prehistoric sharks devouring everything in sight. While a PG-13 rating broadens the target demographic, it ultimately leaves the film feeling toothless, lacking the genuine bite its premise demands.

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Cameos, Nostalgia & Narrative Stakes

Instead of focusing on the titular creatures, Meg 2: The Trench diverts into convoluted subplots involving corporate espionage, mercenaries, and hostage situations. These detours feel like a desperate attempt to pad the runtime, leaving audiences wondering, "Where's the shark carnage?" The narrative often feels like a "hodgepodge of other script ideas" that never quite gelled, with elements reminiscent of "Die Hard on a water base" or a "Jurassic World" finale. The introduction of new threats, such as monsters from the trench that can walk on land and even a Kraken, adds to the creature count but fails to elevate the stakes. These additional monsters, alongside the Megs, are simply thrown into the mix without sufficient build-up or payoff, leading to a chaotic but ultimately unfulfilling monster mash.

Tone, Direction & Creative Freedom

Directed by Ben Wheatley, the film struggles with a consistent tone, often feeling like a "boring film with uninteresting characters" making questionable decisions. The script is described as "shoddy," and the editing "choppy," contributing to a sense of disjointedness. While some actors, including Jason Statham, Wu Jing, Shuya Sophia Cai, Page Kennedy, Sergio Peris-Mencheta, Sienna Guillory, Cliff Curtis, and Skyler Samuels, attempt to "lean into the cheese factor," their efforts aren't enough to prevent the film from falling flat. Unlike movies that accidentally stumble into "so bad it's good" territory, this sequel is simply "so bad because it's just boring," failing to craft the self-aware absurdity needed to make its flaws endearing.

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The Final Verdict

Meg 2: The Trench ultimately disappoints, delivering a prolonged period of boredom before a brief, albeit fun, cheesy monster free-for-all in its final 20 minutes. While that last act offers a glimpse of the chaotic fun the film could have been, it's not enough to redeem the preceding "snooze fest." This is a film that will likely be forgotten quickly, despite its attempts at bigger spectacle. For those seeking genuine thrills or even intentional camp, look elsewhere; this trench dive is mostly just murky water.

What Worked

  • The final 20 minutes deliver a fun, cheesy monster mash.
  • Some actors genuinely lean into the film's inherent absurdity.
  • Features more Megs and introduces other creatures like Krakens and land-walking monsters.
  • Expansive locations, including sequences on the deep ocean floor.

What Didn't Work

  • Over an hour of the film is a "snooze fest" filled with corporate espionage.
  • The PG-13 rating severely limits the expected shark carnage and gore.
  • Suffers from a shoddy script, uninteresting characters, and choppy editing.
  • Fails to achieve "so bad it's good" status, largely remaining just boring.
  • Feels like a disjointed collection of discarded script ideas.

Frequently Asked Questions

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Final Rating
1.5 / 5

Screenverse editorial scores are graded on a 5-star standard based on narrative coherence, pacing, cinematography, and artistic execution.

Leo Sterling
Editorial Reviewer

Leo Sterling

Senior Film Critic & Entertainment Journalist

Leo Sterling has over a decade of experience in cinema critique, screenwriting analysis, and festival coverage. He leads the editorial voice at Screenverse, ensuring all reviews provide impartial, spoiler-conscious insights for film enthusiasts.