All 4 Best Avery Konrad Movies Ranked (Best to Worst)

Subverting the saccharine conventions of modern teen comedy, Oran Zegman’s high school satire operates with biting Machiavellian wit. Powered by sharp fourth-wall breaks and razor-edged dialogue, the film follows an ambitious senior sabotaging her Ivy League competitors, only for the narrative to unravel its own cynical armor into genuine emotional clarity. Amid a stellar ensemble trading acerbic quips, Konrad slips into the competitive social ecosystem as Emma with effortless comedic calibration. Rather than treating her peer group role as high school background dressing, she delivers her punchlines with crisp, deadpan authenticity, cementing her presence in a clever, critically embraced modern coming-of-age classic.

A tense remake of the 1996 Lifetime cautionary tale, this domestic thriller tackles the insidious mechanics of teen dating violence without pulling its dramatic punches. Director Gail Harvey favors raw, claustrophobic pacing over cheap sensationalism, leaning heavily on visceral family tragedy and emotional fracture as a high school romance turns fatal. Konrad slots into the suburban tragedy with subtle, grounded restraint, portraying a peer navigating the deceptive blind spots of high school social hierarchies. Her understated performance lends authentic texture to the film’s tragic ripple effect, demonstrating her intuitive capability to handle somber, message-driven melodrama with absolute seriousness.

Pure, unvarnished B-movie kineticism fuels Stephen Reynolds’ claustrophobic action sequel, which locks WWE star Dean Ambrose inside an evidence-sealed police precinct surrounded by corrupt colleagues. The picture makes no apologies for its direct-to-video DNA, prioritizing blunt practical stunts, concussive gun battles, and relentless physical momentum across utilitarian municipal hallways. Konrad surfaces during an early career chapter, taking on a fleeting functional role within the film's gritty perimeter. Even within the confines of an adrenaline-soaked, macho action showcase that rarely pauses for character nuance, her brief appearance provides an intriguing early glimpse of her poise before stepping into substantial character work.

Swirling with occult imagery and eccentric visual bravura, Edward Drake’s dark fantasy reimagines an ancient, blood-drinking dynasty locked in generational civil war. The film revels in baroque production design and arch theatricality, though its ambitious mythos frequently stumbles over fractured narrative logic and uneven pacing. Appearing as Freddie, Konrad operates within the chaotic fringes of this demonic family squabble. While the script’s stylistic excesses occasionally swallow character agency, she approaches the surreal, horror-tinged material with straight-faced conviction. It stands as an idiosyncratic outlier in her catalog—a messy, gothic curiosity where her professionalism remains intact despite the storytelling disarray.