All 10 Best Dana Delany Movies Ranked (Best to Worst)

George P. Cosmatos delivers one of modern cinema’s most quotable, kinetic Westerns, balancing explosive gunfights at the O.K. Corral with operatic period grandeur. Val Kilmer and Kurt Russell dominate the dust, but the narrative hinges heavily on the collision between frontier violence and impending civilization. Delany steps into the fray as Josephine Marcus, a fiercely independent traveling actress who disrupts Wyatt Earp’s quiet retirement ambitions. Rather than playing a standard frontier damsel, she imbues Josephine with theatrical audacity and modern romantic defiance. Delany commands equal footing alongside Russell, supplying the film with its true emotional compass and injecting warm, electric intimacy into an otherwise blood-soaked mythos.

Stylized with Art Deco shadowplay and Shirley Walker’s sweeping, operatic score, this animated neo-noir remains a benchmark for tragic comic-book storytelling. The dual-track mystery pits Gotham's brooding vigilante against a lethal reaper while unearthing Bruce Wayne’s one shot at an unburdened, normal life. Delivering an extraordinary vocal performance, Delany voices Andrea Beaumont, the central figure caught between familial loyalty and all-consuming vengeance. Delany brings aching vulnerability and steely sophistication to the tragic heroine, grounding the script's emotional devastation. Her work transcends typical animated voice acting, imbuing Andrea with profound sorrow and cementing this as one of the most poignant character arcs in comic book cinema.

Paul Schrader crafts a nocturnal character study soaked in guilt, insomniac dread, and the anxious pulse of early-nineties Manhattan. Willem Dafoe excels as a mid-level drug courier drifting through upscale clientele while searching for spiritual redemption before the millennium turns. Delany enters the narrative as Marianne, his estranged ex-lover whose desperate attempt to stay sober forms the film’s moral and emotional core. Her scenes with Dafoe radiate raw history and simmering tenderness; Delany plays Marianne with frayed dignity, capturing the terror of relapse and the fragility of clean living. It stands as one of her most vulnerable and layered dramatic turns, elevating Schrader’s bleak urban meditation.

Carroll Ballard and cinematographer Caleb Deschanel turn a family reconciliation story into visual poetry, capturing the soaring freedom of ultralight aircraft guiding orphaned Canada geese south. Anna Paquin shines as a grieving girl rebuilding her shattered world alongside her eccentric inventor father, played with erratic charm by Jeff Daniels. Delany provides the production’s essential emotional ballast as Susan Barnes, Daniels’s grounded, patient partner. Delany avoids the tired trope of the resentful stepmother figure, choosing instead to portray Susan with gentle empathy, practical humor, and unyielding support. Her performance offers steady warmth that anchors the film’s majestic, sweeping avian sequences in genuine domestic reality.

Bringing together the marquee titans of Metropolis and Gotham, this briskly paced crossover balances classic noir detective mechanics with vibrant superhero spectacle. The narrative friction crackles as the Joker and Lex Luthor forge a radioactive alliance, forcing opposing ideological heroes to harmonize their operational methods. Delany reprises her definitive vocal role as Lois Lane, cleverly situated in the romantic crosshairs between Clark Kent and the visiting billionaire Bruce Wayne. She attacks the dialogue with rapid-fire screwball energy, radiating investigative tenacity and sly wit. Delany ensures Lois is never a decorative bystander, instead steering the thematic bridge that highlights the contrasting ethos of DC's two greatest figures.

Apocalyptic brutality and fractured timelines drive this adaptation of DC’s grim alternate-reality storyline. Directed by Jay Oliva, the film pulls no punches as Barry Allen's temporal tampering unleashes a global war between Wonder Woman’s Amazons and Aquaman’s Atlanteans, turning familiar heroes into ruthless warlords. Delany steps back into the recording booth as the alternate Lois Lane, operating as an embattled resistance reporter embedded behind enemy lines in a fascist Britain. Even within a breathless narrative dominated by kinetic combat and visceral body horror, Delany’s brief screen time injects much-needed journalistic grit and defiant bravery, maintaining the character’s fundamental integrity under catastrophic conditions.

Bruce Timm and Alan Burnett reconstruct the origin of the Man of Steel with elegant line art, clean narrative momentum, and deliberate mythic simplicity. Tracking Kal-El from Krypton's tragic demise to his emergence as Metropolis’s protector, the production builds a timeless Art Deco universe. Delany makes her sparkling debut here as Lois Lane, instantly carving out the vocal blueprint for the character for an entire generation of fans. She infuses the star reporter with fierce skepticism, intellectual bravado, and crackling comedic friction alongside Tim Daly’s earnest Clark Kent. Her commanding line deliveries established an iconic benchmark that defined Delany’s enduring animated legacy.

Frank Oz orchestrates a breezy, theatrical farce built around domestic deception and suburban romantic aspiration. Steve Martin plays an uptight architect whose life spins out of control when a compulsive fabulist, played with manic abandon by Goldie Hawn, moves into his spec home and claims to be his bride. Delany is cast as Becky, Martin’s prim high school sweetheart whose unattainable affection sparked the initial ruse. While the role risks feeling reactionary against Hawn’s eccentric whirlwind, Delany injects Becky with dry skepticism and subtle, calculating vanity. She acts as an indispensable comedic straight woman, balancing the farcical chaos with refined, sharp-edged timing.

Blending high school adolescent angst with colossal kaiju destruction, this animated adaptation of Phil Hester’s comic explores the tribulations of a half-human, half-dragon teenager. The animation occasionally shows budget limitations, but the central conflict carries genuine pulp charm as Duncan struggles to survive both locker-room bullies and monstrous subterranean warfare. Delany voices Margaret, Duncan’s fiercely protective human mother who endured a marriage to a giant monster king. Delany provides the emotional bedrock of the premise, delivering parental exasperation and fierce maternal courage that grounds the outlandish fantasy. Her assured vocal presence elevates the script well beyond typical weekend-morning television fare.

A formulaic streaming action romp, this espionage vehicle relies heavily on the easy star charisma of Mark Wahlberg and Halle Berry dodging gunfire across European capitals. While the production serves up polished chases and familiar blue-collar spy banter, its narrative blueprint runs strictly on autopilot without much fresh invention or genuine stakes. Delany pops up in an understated, brief supporting role as Nicole Hall, delivering seasoned authority amid generic agency tradecraft. Though the thin screenplay gives her little room to establish a rich character profile, Delany brings customary professionalism and quiet confidence to her scenes, elevating an otherwise disposable action-comedy diversion.