All 10 Best Finn Wolfhard Movies Ranked (Best to Worst)

Guillermo del Toro reconstructs Carlo Collodi’s classic fable against the harrowing backdrop of fascist Italy, using astonishing stop-motion animation to craft a somber meditation on grief, rebellion, and mortal beauty. The production sparkles with artisan craft, framing childhood innocence in stark opposition to ideological militarism. Amidst an illustrious voice cast, Wolfhard voices Candlewick, the prefect’s bullied son who yearns for parental approval before finding solidarity with the wooden marionette. Wolfhard layers authentic vulnerability beneath the boy's brittle swagger, anchoring an emotionally pivotal arc of quiet resistance that elevates del Toro’s Oscar-winning visual triumph.

Andy Muschietti’s 2017 adaptation converts Stephen King’s sprawling nightmare into an electrifying rite-of-passage horror film. Derry, Maine emerges as an atmosphere of rot and adolescent terror, where Pennywise preys directly on youthful isolation, while the narrative draws immense kinetic power from the messy, foul-mouthed camaraderie of the Losers Club. Wolfhard practically steals the picture as Richie "Trashmouth" Tozier, weaponizing rapid-fire vulgarity and jittery neuroticism as an emotional defense mechanism against real dread. It remains the actor’s definitive breakthrough on the big screen, proving his knack for converting sheer terror into hilarious, hard-won comedic survival.

Director Jason Reitman bypasses glossy reboot cynicism to deliver an earnest, dust-blown supernatural adventure rooted in middle-American grit. The narrative shifts gears from metropolitan satire to Spielbergian wonder, exploring grief and forgotten family legacies across the decaying plains of Summerville, Oklahoma. While Mckenna Grace handles the heavy emotional lifting, Wolfhard supplies grounded adolescent angst as Trevor Spengler. Wrestling with dilapidated Cadillacs and small-town teenage isolation, he channels an understated, slightly bewildered naturalism that anchors the spectacle, showing a mature handle on ensemble comedic timing without leaning on inflated studio theatrics.

John Crowley’s adaptation of Donna Tartt’s Pulitzer-winning novel may struggle under the sheer weight of its sprawling literary architecture, yet it yields striking visual poetry courtesy of Roger Deakins’s peerless cinematography. The narrative traces the fractured aftermath of tragedy through exquisite production design and melancholic atmosphere. The film's liveliest pulse emerges during the sun-baked Las Vegas desert sequence, largely sparked by Wolfhard's turn as the young Ukrainian expatriate Boris. Sporting a credible accent and an infectious, chaotic charisma, Wolfhard brings mischievous warmth and poetic cynicism to the screen, providing the drama with its most magnetic and enduring stretch.

Conrad Vernon and Greg Tiernan translate Charles Addams’s macabre New Yorker cartoons into brisk, candy-colored computer animation designed for contemporary family audiences. The story leans heavily into gothic slapstick as the eccentric clan clashes with a pastel-hued suburban development and a predatory home-renovation host. Wolfhard steps behind the microphone to voice Pugsley Addams, the explosive-obsessed younger sibling preparing for his traditional sword-handling ritual. Wolfhard plays the part with boisterous enthusiasm, finding genuine juvenile joy in morbid eccentricities and holding his own comfortably alongside voice heavyweights like Oscar Isaac and Charlize Theron.

Isaiah Saxon’s visual odyssey distinguishes itself through astonishing tactile craft, opting for practical puppetry, animatronics, and rugged wilderness locations over sterile digital gloss. The fable follows a young village outcast who defies centuries of agrarian superstition to protect an enigmatic baby creature on an isolated island. Wolfhard steps into the rugged ensemble as Petro, bringing a gruff, weathered teenage authenticity that blends seamlessly with the film’s vintage Jim Henson aesthetic. While the plotting occasionally stumbles over its own mythology, Wolfhard's presence helps tether the high-concept folklore to recognizable, raw human emotion.

Relocating the rebooted series back to the iconic Manhattan firehouse, this cold-snap sequel packs the frame with expansive franchise lore, ancient mythological curses, and multiple generations of spectral exterminators. While director Gil Kenan maintains crisp practical creature designs and spirited comedic pacing, the narrative suffers from crowded plotting and divided character focus. Wolfhard’s Trevor gets relegated to somewhat frivolous subplots chasing Slimer around the attic, yet the actor still manages to inject dry line readings and physical comedy into the fray, keeping his character likable even when the script neglects to give him substantial dramatic weight.

Ken Marino’s breezy ensemble comedy interweaves multiple sunny Los Angeles storylines united solely by canine companionship. The picture follows familiar, formulaic rom-com tropes with unabashed lightness, relying entirely on the charismatic energy of its sprawling cast to carry predictable romantic misunderstandings and feel-good reconciliations. Wolfhard appears as Tyler, an earnest, bike-riding pizza delivery boy who helps an elderly widower track down his missing pug. Wolfhard turns in an unpretentious, sunny performance, demonstrating an easy, down-to-earth screen presence that enlivens an otherwise fluffy and forgettable Sunday-afternoon crowd-pleasing entertainment.

Operating as an interactive branching-narrative spin-off to the sleek Netflix animated series, this choose-your-own-adventure project emphasizes swift educational espionage and puzzle-solving over deep dramatic resonance. The animation remains crisp and stylish, echoing mid-century graphic design while letting young viewers dictate critical heist tactics. Reprising his voice role as Player, the resourceful white-hat hacker who operates as Carmen’s remote digital lifeline, Wolfhard offers steady, dependable voice work. It is essentially a gamified vocal gig rather than a fleshed-out character study, fulfilling its functional technical brief cleanly without challenging the actor’s dramatic range.

Floria Sigismondi updates Henry James's classic novella The Turn of the Screw into a modern gothic chiller set on a gloomy Maine estate, establishing plenty of moody gloom and shadowy corridors. Unfortunately, the narrative unravels through clunky jump scares and an infamously abrupt, nonsensical non-ending that frustrates any lingering psychological intrigue. Wolfhard is cast squarely against type as Miles, an aggressive, emotionally disturbed prep-school expellee prone to cruel psychological mind games. While he commits admirably to an aura of entitled menace, the surrounding narrative collapse ultimately strands his unsettling performance in a deeply unsatisfying exercise.