All 6 Best Hannah Cheramy Movies Ranked (Best to Worst)

Nacho Vigalondo pulled off a near-impossible conceptual tightrope with this audacious hybrid of giant monster spectacle and scathing psychological study of alcoholism and toxic narcissism. Anne Hathaway stars as a spiraling writer who discovers that her nervous breakdowns physically materialize as an enormous creature stomping through Seoul. The film balances sharp black comedy with uncomfortable emotional abuse dynamics, refusing to settle into easy genre conventions. Stepping into the shoes of Hathaway's protagonist in formative childhood flashbacks, Cheramy handles essential dramatic heavy lifting. Her appearance crystallizes the inciting incident of Gloria's lifelong creative coping mechanism, anchoring the overarching metaphor with innocent vulnerability.

Atmospheric dread clings to every shadow in Jeremy Lutter's indie chiller, which mines Celtic changeling myths to expose foster family anxieties and rural isolation. When a neglected teen allows her younger foster sister to vanish into sinister ancient woods, the child returns hours later, outwardly identical yet fundamentally altered. The production excels at quiet paranoia, using muted Pacific Northwest foliage and unhurried pacing to maximize dread over cheap jump scares. Cheramy dominates the picture as the returned sister, delivering a spine-tingling performance steeped in unnerving stillness, vacant glares, and calculated malice that completely transcends standard horror-child tropes.

Remaking the seminal 1997 Disney Channel cult original was a risky gamble, yet this modernized outing sustains infectious holiday energy through energetic pacing and sincere young camaraderie. When three suburban friends accidentally awaken a preserved mummy named Harold, they must protect him from black-market thieves before an impending deadline turns him to dust. The narrative functions as an affectionate throwback to upbeat suburban capers, driven by practical creature makeup and sprightly comedic timing. Cheramy shines as Amy, the quick-witted, skeptical voice of reason whose grounded instincts keep the supernatural silliness anchored in relatable middle-school reality.

Directed by Lynne Stopkewich, this quintessential seasonal telefilm capitalizes on vibrant autumn aesthetics, whimsical costumes, and dependable romantic tropes. An irrepressible free spirit takes a gig as a temporary nanny for an emotionally guarded, work-obsessed widower, setting off an expected clash of lifestyles that steadily gives way to familial warmth. While the romantic arc follows an unmistakable playbook, the domestic interactions provide genuine emotional weight. Cheramy turns in an endearing performance as daughter Zoe, avoiding saccharine precociousness to offer earnest sincerity that helps sell the widowed family's path back to joy.

A formulaic entry in the cable romantic library, this straightforward narrative centers on a widowed accounting student balancing a high-pressure tech internship while sending her child to sleepaway camp. The narrative conflicts hinge on corporate rivalry and dual romantic prospects, relying heavily on glossy production design to distract from predictable story beats. Cheramy occupies a secondary tier here as Daisy, the young daughter whose camp departure triggers her mother's personal reinvention. Despite limited screentime, she projects sweet, natural warmth that lends emotional plausibility to her mother's everyday sacrifices.

Adapting V.C. Andrews for the small screen invariably means embracing excessive melodrama, repressed family secrets, and baroque southern-gothic eccentricities. The plot confines a sheltered, fragile young girl to a secluded estate where gaslighting relatives torment her with the idealized ghost of an older sister she never knew. Unfortunately, chaotic pacing and soapy dialogue blunt the psychological dread required for effective gothic tragedy. In the prologue sequences as eleven-year-old Audrina, Cheramy injects fleeting authenticity into an otherwise heightened universe, though the surrounding script restricts her to broad strokes of bewildered grief.