All 10 Best Hannah Waddingham Movies Ranked (Best to Worst)

David Leitch’s neon-soaked tribute to Hollywood stunt performers operates as a delirious blend of rom-com charm and punishing practical action. Centered on Ryan Gosling’s battered stuntman untangling a criminal conspiracy on an Australian soundstage, the film thrives on hyperactive pacing, immaculate physical comedy, and an insider love for behind-the-scenes mechanics. Stepping into the fray as manipulative producer Gail Meyer, Waddingham nearly walks away with the entire production. Armed with a cell phone, zero moral compass, and venomous corporate bluster, she weaponizes her statuesque screen presence for pure comic mayhem. It stands as her most fully realized studio role to date, demonstrating how effortlessly her theatrical bravura scales up to big-budget cinema.

Tom Hooper’s grandiose adaptation of the Boublil-Schönberg stage phenomenon bets everything on live vocal recordings, thrusting the audience directly into 19th-century France’s squalor and revolutionary fervor. Despite divisive close-up photography, the film’s sweeping choral momentum and gut-wrenching dramatic weight yield an emotional juggernaut that captured three Academy Awards. Waddingham appears during the grim factory sequence where Anne Hathaway’s doomed Fantine is cast out onto the streets. Even within a fleeting appearance as a vicious, gossiping factory worker, her powerhouse theatrical training rings loud and clear. Her background across London’s biggest stages makes her feel completely organic amid Hooper’s relentless musical machinery, anchoring her early cinematic filmography in classical musical pedigree.

Christopher McQuarrie’s globe-trotting espionage machinery reaches its fever pitch as Ethan Hunt battles an omnipotent algorithmic threat across land, sea, and sky. The production doubles down on terrifying real-world aerial feats, claustrophobic naval warfare, and an unrelenting dread regarding geopolitical decay. Entering this merciless, adrenaline-fueled cinematic universe, Waddingham commands authority amidst senior military and intelligence brass. Rather than shrinking behind the franchise’s deafening explosions and relentless momentum, she projects an iron-willed administrative steel that instantly legitimizes the global stakes. Her casting signals Hollywood’s recognition of her natural authority, seamlessly folding her sharp-edged composure into one of cinema’s most grueling action franchises.

Staged at the majestic London Coliseum, this holiday musical special revives the golden age of variety television through sheer production grandeur and orchestral warmth. Backed by a full eighteen-piece big band and a stellar lineup of guest stars, the production leans into timeless festive aesthetics, opulent costume changes, and pristine acoustic clarity. Here, Waddingham stands completely front and center, shedding supporting character masks to deliver a thunderous masterclass in vocal performance. Her four-octave belt, self-deprecating humor, and genuine theatrical mastery run the entire show with effortless grace. It serves as an unvarnished celebration of her Broadway and West End lineage, offering the purest cinematic showcase of her multi-hyphenate artistic power.

Filmed before a star-studded crowd at the legendary London Palladium, this television concert special turns an arena-sized pop showcase into an intimate, emotionally raw evening of British songwriting. Between Adele’s peerless live vocals and tearful personal revelations, the event relies heavily on the organic electricity crackling between the stage and the gathered cultural icons in the stalls. Waddingham emerges as the broadcast’s viral heartbeat, visible in the crowd radiating boundless, uninhibited joy and singing along with theatrical abandon. While unscripted, her effervescent presence throughout the broadcast became an indelible cultural moment, highlighting the magnetic personal charisma that has turned her into an international treasure.

Anne Fletcher’s sequel resurrects Salem’s favorite seventeenth-century coven for a modern Disney outing powered by nostalgia and breezy teen-focused fantasy. While the narrative predictably follows familiar comedic beats, the film succeeds whenever it embraces unapologetic camp, gothic stagecraft, and the whimsical folklore that made the 1993 original a seasonal staple. In the prologue, Waddingham steals the show as the sinister yet glamorous Mother Witch who gifts young Winifred Sanderson her spellbook. Delivering delicious wickedness wrapped in velvet vocal cadence, she channels classic Disney villainy with theatrical precision. It is a brief, sparkling performance that single-handedly legitimizes the prequel framework and injects the film with genuine theatrical menace.

Translating Chris Sanders and Dean DeBlois’s 2002 animated classic into live-action requires balancing eccentric sci-fi creature chaos with the grounded, tender realities of Hawaiian familial grief. The production captures the sun-drenched coastal beauty and emotional core of the original, leaning on vibrant practical effects and expressive digital animation. Waddingham contributes to the intergalactic chaos, lending her formidable vocal delivery and larger-than-life character styling to the cosmic federation pursuing Experiment 626. Her uncanny ability to deliver absurd galactic demands with deadpan, aristocratic seriousness ensures the spacefaring subplots land with crisp comedic bite, demonstrating her reliable utility across high-budget family blockbusters.

Adapted from Ruth Ware’s bestselling psychological mystery, this claustrophobic whodunit traps an anxious travel journalist aboard an ultra-exclusive luxury yacht where an apparent murder is erased without a trace. High production values, moody oceanic lighting, and simmering paranoia drive the narrative as class tensions clash against paranoia on the open sea. Waddingham glides through the high-society passenger roster with chilling aristocratic composure. She excels at playing privileged figures who weaponize icy decorum to conceal dangerous motives, adding much-needed friction to the ensemble. Even when the thriller's plot twists become somewhat formulaic, her menacing elegance keeps the suspense afloat.

Mark Dindal’s animated reboot catapults Jim Davis’s notoriously lazy feline into a frantic, high-stakes heist caper alongside his estranged street-cat father. The animation boasts bright, energetic slapstick tailored strictly for younger audiences, trading the strip's dry, cynical humor for runaway physical set pieces and loud cartoon commotion. Voicing the villainous Persian cat Jinx, Waddingham injects a burst of theatrical spite into the proceedings. Armed with an operatic grudge and flamboyant musicality, she attacks the voice booth with delicious gusto, making her vengeful feline easily the most entertaining ingredient in an otherwise generic, hyperactive animated adventure.

Chris Addison’s comedy attempts to modernize Dirty Rotten Scoundrels along the French Riviera, pairing Anne Hathaway’s polished aristocrat against Rebel Wilson’s crude con artist. Hampered by clumsy physical gags and a script that rarely improves upon its 1988 predecessor, the film frequently struggles to generate genuine comedic spark despite the scenic Mediterranean setting. Waddingham appears as Shiraz, an early target in an elaborate coastal sting. Though her screen time is short-lived, she handles the gullible socialite trope with seasoned professionalism, finding subtle humor in a script that offers little support. It remains a minor footnote in her filmography, predating her breakout mainstream Hollywood ascent.