All 10 Best Jacob Batalon Movies Ranked (Best to Worst)

Balancing three generations of superhero mythos under monstrous studio expectations should have collapsed Jon Watts' trilogy capper, but the film thrives on raw thematic consequence. Between high-concept multiverse collisions and tragic sacrifices, the emotional core stays tightly anchored to three high schoolers facing adulthood prematurely. Batalon delivers his career-best turn here, transcending familiar quips to ground Ned's terror of losing his best friend. Armed with unexpected mystical agency and authentic vulnerability, his farewell sequence provides the movie its bitter, melancholy heart.

Opting for John Hughes-inspired corridor angst over apocalyptic dread, this MCU reboot revitalized the web-slinger by embracing the awkward rhythms of adolescence. The narrative hums thanks to authentic high-school banter, practical dilemmas, and Michael Keaton's menacing blue-collar villain. Batalon's debut as Ned Leeds is an absolute masterclass in scene-stealing charisma. Dropping the Death Star or stammering through interrogation scenes under gym bleachers, he created the definitive modern 'guy in the chair,' fundamentally defining his creative identity overnight.

Trading gritty Manhattan streets for sunlit European landmarks, this breezy post-Endgame outing works as both a chaotic vacation romp and a perceptive examination of post-blip grief. Jake Gyllenhaal's theatrical villainy clashes cleanly with awkward teen romance. Batalon leans hard into deadpan romantic comedy here, forming an unexpected, fleeting holiday romance with Angourie Rice's Betty Brant. His breezy confidence and mock-mature posturing inject genuine levity precisely when the surrounding narrative shifts toward reality-warping drone warfare.

Benjamin Kasulke's sharp, literate indie comedy sidesteps formulaic romantic tropes by focusing squarely on the burgeoning friendship between an ex-girlfriend and a new flame. Propelled by Hannah Marks and Liana Liberato's razor-sharp banter, the script crackles with acerbic wit and emotional honesty. Batalon drops into the fray as Jacob, delivering off-kilter, deadpan line readings that punctuate the central female dynamic with punchy irreverence, proving his comedic sensibilities thrive brilliantly in independent territory.

Adapting David Levithan's fantasy romance, this tender young-adult drama tracks a shifting consciousness that inhabits a different teenager's body every twenty-four hours. Director Michael Sucsy treats the fantastical premise with lyrical gentleness, spotlighting identity, empathy, and fleeting human connection. Batalon appears as James, one of the vessels taken over by the spirit. In a brief but poignant showcase, he shifts away from broad comedy to capture disarming gentleness and reflective introspection with understated grace.

Stepping into a radically altered world where nobody remembers Peter Parker's civilian identity, this prospective entry challenges the ensemble to navigate high-stakes estrangement. The narrative pivot forces mature tonal recalibration, contrasting street-level crimefighting against painful personal absence. Batalon's anticipated presence offers rich dramatic soil, requiring him to play the lingering reverberations of an erased past rather than simply defaulting to bubbly loyalty, marking a pivotal test for his enduring franchise legacy.

Orchestrated around chaotic brotherhood dynamics and explosive investigations, this action vehicle thrives on hard-hitting kinetic choreography and rapid-fire banter. When family secrets spark international confrontations, the film balances relentless stunt set-pieces against sharp comedic misdirection. Batalon steps comfortably into the high-octane arena, functioning as an energetic sounding board whose grounded reactions keep the escalating firefights and conspiracy plotline tethered to relatable, accessible humor.

Blending brutal bone-crunching combat with offbeat situational irony, this violent thriller wrings dark humor out of a protagonist who physically cannot register pain. The stylized direction balances stomach-churning practical injuries with an unapologetic B-movie swagger. Batalon operates on the periphery, lending snappy vocal energy and grounded perspective to an otherwise savage revenge yarn, reinforcing his utility as an invaluable dramatic and comedic foil when stakes turn bloody.

Essentially an extended comedic prologue cut from the theatrical print of Far From Home, this miniature narrative documents the hectic mundane errands required before embarking on an overseas flight. Running on kinetic editing and slice-of-life charm, it offers bite-sized thrills. Batalon's role consists of rapid back-and-forth phone exchanges with Peter, effortlessly recapturing the breezy, lived-in camaraderie that made the central high school dynamic so globally beloved in the first place.

Spenser Cohen and Anna Halberg's cursed-deck chiller relies heavily on standard slasher conventions, dispatching unlucky college students via gruesome interpretations of astrological cards. While the creature designs occasionally supply atmospheric dread, the plot runs on autopilot cliches and predictable jump-scares. Batalon is saddled with standard horror archetype duties as Paxton, yet his charismatic line readings provide whatever faint personality and survival humor the otherwise dreary, formulaic screenplay manages to muster.