All 10 Best Joe Keery Movies Ranked (Best to Worst)

Shawn Levy’s high-concept action comedy works because it treats video game logic not merely as sensory chaos, but as a tender canvas for self-determination and existential discovery. Packed with razor-sharp visual humor and inventive world-building inside the virtual playground of Free City, the film balances kinetic gaming set-pieces with a surprisingly poignant emotional core. Keery plays Keys, the sensitive coder whose unvoiced affection for his partner forms the secret blueprint of the entire virtual universe. Shifting gears away from high-energy swagger, he provides the grounded heart that keeps the narrative anchored. His subtle, melancholic sweetness opposite Jodie Comer delivers the story's truest emotional beats, proving his viability as a grounded romantic anchor in mainstream cinema.

Eugene Kotlyarenko’s found-footage dark satire presents an unfiltered, neon-splattered descent into creator economy psychosis. Told almost entirely through livestream interfaces, dashcams, and mobile screens, the picture captures the poisonous obsession with viral notoriety with claustrophobic, relentless intensity. The material demands an actor willing to shed vanity, and Keery obliges with a terrifying, sweat-drenched performance as Kurt Kunkle, an attention-starved rideshare killer. Subverting his natural likability into something grotesque and pathetic, he conveys the bottomless emptiness of contemporary digital culture. It remains his most daring, career-defining leading turn to date, showcasing a raw manic volatility that completely separates him from his mainstream television persona.

Keir O'Donnell’s stylized neo-noir heist fable thrives on southern gothic quirks, slippery non-linear flashbacks, and deliberate tonal deception. Centered on a seemingly naïve convict recounting his romance with an erratic drifter to his calculating cellmate, the film plays with audience expectations through playful narrative misdirection and candy-colored pulp visuals. Keery steps into the shoes of Baron, donning a shaggy haircut and adopting a gentle, soft-spoken drawl that masks hidden layers of cunning strategy. Rather than leaning on overt cool, he leans into wide-eyed vulnerability, guiding the audience through intricate narrative twists before unveiling an earned emotional sharpness. It represents an adventurous stride forward in his exploration of eccentric, character-driven independent leads.

Directing duo Hannah Marks and Joey Power construct a refreshingly clear-eyed exploration of young love complicated by severe medical reality, steering clear of manipulative melodrama. When a carefree youth receives a life-altering cancer diagnosis, the narrative examines how romantic devotion can morph under the shadow of survival, fatigue, and sudden adulthood. In a vital supporting capacity, Keery portrays Chris, offering the protagonist an indispensable blend of comic relief and quiet loyalty. He handles the delicate tonal shifts with natural ease, refusing to overplay his scenes while giving the central friendship an authentic, lived-in warmth. The performance demonstrates his early command of naturalistic indie drama, blending humor and understated compassion without hitting false notes.

Saverio Costanzo constructs a sprawling, atmospheric period reverie set against the intoxicating illusion factories of 1950s Cinecittà. Over the course of one decadent Roman night, an ordinary working-class girl is pulled into the seductive, hollow orbit of international film stars, exposing the rot beneath Hollywood-on-the-Tiber glamour. Keery portrays Sean Lockwood, a rising American screen idol whose pristine matinee-idol facade conceals moral ambivalence, insecurity, and disillusionment. Navigating European art-house aesthetics alongside Lily James and Willem Dafoe, he embodies the brittle entitlement and hidden vulnerability of mid-century celebrity. The role expands his artistic vocabulary, proving his ability to handle nuanced period character studies within lush, melancholic international cinema.

Written by screenwriting veteran David Koepp, this claustrophobic bio-thriller revives the brisk, tactile energy of vintage 1990s creature features. Confined inside a decommissioned military bunker where a parasitic fungal organism begins mutating at breakneck speed, the narrative relies on ticking-clock suspense, practical creature terror, and witty survival dynamics. Keery co-leads as Travis, an unassuming subterranean facility worker forced to improvise under lethal biological pressure alongside a hardened government operative. Bringing his signature relatable anxiety and frantic wit to the crisis, he acts as an effective audience proxy against the escalating body horror. It is a sharp exercise in popcorn tension that spotlights his enduring appeal within high-stakes genre storytelling.

Charlie Brooker and Annabel Jones assemble a brisk mockumentary post-mortem on a uniquely fractured historical year, deploying scathing archival montages and biting media parody. While the anthology format occasionally trades structural depth for rapid-fire political barbs, its sharply scripted talking heads capture the hysterical absurdity of twenty-four-hour news cycles and online radicalization. Keery delivers an inspired turn as Duke Goolies, an effortlessly oblivious video-game streamer whose vapid reactions reflect the profound disengagement of modern influencer culture. Parodying self-absorbed online commentators with deadpan precision, he nails the superficiality and clueless arrogance of digital grifters, offering one of the production’s sharpest, most repeatable comedic highlights.

Returning to the satirical end-of-year format, this Netflix special examines the weary hangover of another turbulent socio-political cycle through scripted talking-head interviews and news reels. While the comedic edge feels somewhat diluted compared to its predecessor, relying on familiar topical targets, its brisk pacing still delivers several biting observations about modern media fatigue. Keery reprises his role as Duke Goolies, once again satirizing the unearned confidence of internet personalities struggling to comprehend global catastrophe. Though the script gives him slightly less novelty to play with this time around, his physical comedy, glazed stares, and flawless delivery maintain the character's delightfully hollow self-importance.

Kate Trefry’s surreal psychological horror short investigates isolation through visceral, domestic nightmare imagery. Set across a single night inside an unsettling suburban home, the narrative follows a woman whose deep-seated psychological phobias manifest as grotesque, tangible threats that invade her living room. Keery appears in the pivotal framing role of Jack, the caring husband whose departure for a night shift sets the psychological spiral into motion. Though his screen time remains deliberately brief, his gentle, affectionate presence creates an indispensable grounding anchor of domestic normalcy before reality dissolves. It remains a fascinating micro-budget curiosity that demonstrates his willingness to support boundary-pushing short-form horror.

Austin Vesely’s horror-comedy hybrid blends municipal corruption, ghostly pizza delivery drivers, and werewolves into an unapologetically surreal B-movie concoction. Despite an eye-popping pastel color palette and an eclectic, charismatic cast, the film struggles under a convoluted screenplay that never quite balances its deadpan slacker absurdity with genuine slasher momentum. Keery appears as Jackson, a victim whose grim fate kickstarts the mystery. Even within limited, disjointed screen time, his easygoing charisma and dry reactions briefly lift the uneven tone. While the finished piece stands as a minor footnote in his wider canon, it reflects his early affinity for eccentric, genre-blending indie experiments.