All 10 Best Julie Graham Movies Ranked (Best to Worst)

Mental health, fraternal devotion, and social isolation collide with heartbreaking delicacy in Simon Cellan Jones's adaptation of Joe Penhall's stage play. Set against a sun-dappled yet frantic Shepherd's Bush, the narrative follows a fragile schizophrenic man struggling to reintegrate into civilian life alongside his overextended brother. The direction prioritizes poetic realism over sensationalism, letting quiet exchanges carry bruising dramatic consequence. Graham slips seamlessly into this fragile ecosystem as Mandy, offering an affectionate, grounded counterbalance to the chaos surrounding the central relationship. Her naturalistic delivery injects an essential dose of everyday humanity into the frame, demonstrating her peerless gift for nuanced domestic drama.

A landmark achievement in British queer cinema, Philip Saville's bold road movie tracks two gay teenage runaways fleeing a Liverpool underworld hit after witnessing an execution. Balancing coming-of-age vulnerability with thriller mechanics, the film navigates bleak urban decay, seaside escapism, and the specter of institutional violence with astonishing empathy. The production pulses with late-eighties synth melancholy and rebellious youthful fervor. Graham appears as Hazel, delivering a sharp, streetwise performance that injects vibrant defiance into the youths' journey. It remains an early benchmark in her film repertoire, underscoring her affinity for unconventional, politically engaged stories that challenged prevailing social taboos.

Rose Troche crafts a breezy, delightfully open-minded comedy of manners that skewers the fluid dynamics of late-nineties London romance. Moving between new-age men’s therapy circles and messy communal flats, the story unravels casual sexual fluidity and romantic neuroses with wit and emotional generosity. The script crackles with rhythmic humor, sidestepping cynical sit-com tropes in favor of warm character revelations. Portraying Angie, Graham adds crucial spark to the vibrant ensemble, landing comic beats with effortless precision. Her performance reinforces the picture’s communal spirit, proving how readily she can animate secondary roles with distinct, lived-in charm and magnetic screwball energy.

Fast-paced slapstick meets high-stakes London gangland crime in this breezy, energetic British farce. When two bumbling crooks attempt to steal bank loot from their violent syndicate, an unexpected escape leads them disguised into a local convent school run by strict nuns. Directed with old-school caper flair by Jonathan Lynn, the momentum relies on sharp mistaken-identity banter and classic situational absurdity. Graham plays Faith Thomas, an earnest and pivotal figure whose presence provides genuine human stakes amidst the relentless cross-dressing hijinks. Her capable dramatic instincts keep the dizzying narrative tethered, ensuring the comedy never completely detaches from emotional sincerity.

Raw urban dread drives this ruthless, stripped-back siege thriller set inside an impoverished British housing estate. A group of tenants who ignored a fatal assault a year prior find themselves trapped on the top floor, targeted one by one by a high-powered sniper through concrete corridors. Directors James Nunn and Ronnie Thompson lean hard into claustrophobic framing, percussive sound design, and relentless pressure. Graham portrays Carol, a stressed tenant who refuses to fold under escalating carnage. She lends grit, panic, and raw maternal fury to the ensemble, elevating the pulpy, violent genre exercise into an effective study of survival under siege.

Set against the complex, shifting cultural backdrop of late-nineties Belfast, Michael Winterbottom's romantic dramedy tackles the creeping fatigue of long-term marriage with tart honesty. A couple facing infertility and stagnant professional ambitions find their domestic equilibrium shattered when an old French pen pal suddenly re-enters the picture. The film favors low-key stylistic intimacy, utilizing gray maritime light and handheld realism to mirror everyday discontent. Graham steps in as Cathy, giving an assured performance that honors the script's low-key rhythms. She handles the conversational intimacy effortlessly, providing steady texture to Winterbottom's understated portrait of contemporary interpersonal malaise.

Grim, rain-soaked Glasgow serves as the brooding canvas for David Hayman's searing neo-noir, which unspools through the moral ruins of a burned-out investigative journalist. Investigating a sordid teenage prostitution ring that hits brutally close to home, the narrative wades through corruption, addiction, and pervasive civic decay. The film leans aggressively into harsh Tartan Noir aesthetics, punctuated by shadowy interiors and bleak industrial backdrops. As Elise, Graham brings bruised gravitas to a story dominated by cynical male figures. Her layered, emotionally frayed contribution helps ground the lurid underworld elements in palpable human suffering, proving her dramatic authority within hardboiled material.

A cynical game of academic vanity and spiraling criminal misadventure unfolds in this dark satirical mystery. Centered on an amoral, smoothly manipulative Oxford language tutor whose elaborate webs of deception collapse following a sudden murder, the picture leans heavily into wicked ironies and British farce traditions. The direction maintains an acidic edge, dissecting bourgeois hypocrisy with playful cruelty. Graham appears as Karen, an essential player caught in the central rogue’s escalating cover-up schemes. Her sardonic glances and crisp comic timing cut through the character’s absurd web of lies, bringing sharp, grounding amusement to an otherwise broad situational caper.

Stuart Urban’s subversive mid-nineties curiosity attempts a flashy satirical clash between puritanical British politics and London's underground fetish subculture. The plot revolves around a young political researcher tasked with gathering damning evidence on an infamous dominatrix club, only to be seduced by the boundary-pushing world he was hired to destroy. Garish, campy, and unabashedly confrontational, the picture acts as a provocative time capsule of fringe nightlife culture. Graham plays Alice, contributing to the transgressive chaos with commitment and ironic detached charm. While the film’s tonal excess frequently wobbles, her focused screen presence keeps her particular segments lively and punchy.

The Wachowskis swing for grand cosmic mythology in this sprawling, visually overloaded space opera about an unsuspecting Earth woman destined to inherit intergalactic dynasties. Packed with gravity-defying boots, ornate extraterrestrial palaces, and dense alien politics, the film buckles under the weight of convoluted exposition and tonal whiplash. Despite impressive visual effects and bold aesthetic choices, the narrative struggles to sustain emotional momentum. Graham turns up very briefly as Laura Pettigrew, lost in an overstuffed production that leaves barely any room for her signature grounding energy. It sits at the bottom of her cinematic achievements as a minor footnote in a bloated Hollywood spectacle.