All 10 Best Kyle Soller Movies Ranked (Best to Worst)

David Ayer plunges viewers into the claustrophobic hell of late-stage World War II, stripping away Hollywood heroism in favor of mud, dread, and mechanised brutality. The film thrives on suffocating tactical tension inside an M4 Sherman tank, where moral decay and relentless attrition blur the lines between survival and barbarism. Soller steps into the grim fray as a field medic, managing to etch genuine human vulnerability into a hyper-macho crucible. Though his screen time is brief, he projects the hollowed-out shock of frontline trauma with razor-sharp precision, anchoring early evidence of his ability to cut through prestige studio grit.

Aisling Walsh’s sleek, atmospheric adaptation of J.B. Priestley’s classic play transforms Edwardian drawing-room morality into an urgent, guilt-laden psychological cross-examination. As David Thewlis’s spectral investigator unpicks the polite pretenses of the Birling clan, the film ratchets up class tension through crisp camera blocking and biting ensemble staging. Soller delivers one of his most complex screen turns as Gerald Croft, balancing patrician charm with gut-wrenching shame. Rather than playing the privileged suitor as a flat caricature, he unearths the brittle self-loathing beneath aristocratic entitlement, marking a crucial showcase for his nuanced dramatic range.

Sergio G. Sánchez crafts a gothic, melancholy ghost story steeped in childhood trauma and claustrophobic rural dread. Unfolding inside a crumbling rural estate, the narrative relies on shifting perspectives and layered family secrets, drawing tremendous emotional mileage from its young cast's frayed bonds and an oppressive sense of impending doom. Soller provides essential friction as Tom Porter, the inquisitive family lawyer whose escalating suspicion threatens the siblings' fragile illusion. He infuses the character with a sharp, bureaucratic chill that subtly morphs into opportunistic menace, providing the external threat that triggers the story’s tragic final unraveling.

Joe Wright boldly reimagines Tolstoy’s epic tragedy as an opulent theatrical production, framing imperial Russian society as an ongoing performance staged on literal theatrical boards. With Seamus McGarvey’s swirling cinematography and Dario Marianelli’s frantic score, the picture treats high-society gossip and aristocratic hypocrisy as choreographed social violence. Appearing as Korsunsky, the vivacious master of ceremonies at the fateful ball, Soller moves through Wright’s intricate blocking with crisp, effortless rhythm. His expressive physical acting seamlessly matches the film’s heightened theatrical stylings, demonstrating how easily he thrives within demanding, stylized period worlds.

Toby Haynes captures the chaotic digital overhaul of modern political campaigning in this frantic, razor-sharp docudrama. Anchored by Benedict Cumberbatch’s volatile Dominic Cummings, the narrative tracks the weaponization of data algorithms and targeted voter rage, turning referendum backrooms into an anxious war room of ideological disruption. Soller portrays Zack Massingham, co-founder of AggregateIQ, with slick, unblinking pragmatism. He refuses to paint the tech strategist as a cartoon villain, choosing instead to portray him as a detached technician fascinated by behavioral math. It is a calculating, understated performance that grounds the film's frenzied political whirlwind.

Michael Winterbottom’s semi-improvised travel comedy trades rainy English hills for sun-scorched Iberian highways, pairing gastronomic indulgence with melancholic mid-life existentialism. Steve Coogan and Rob Brydon trade sharp impressionist barbs and literary quotes across exquisite dining tables, masking deep insecurities about aging and creative legacy behind playful one-upmanship. Soller slips into this breezy, meta-fictional landscape as Jonathan, an American executive crossing paths with the bickering duo. He handles Winterbottom’s improvisational rhythms effortlessly, providing an earnest, polished counterweight to Coogan’s spiraling vanity and demonstrating an innate comedic touch that undercuts his dramatic typecasting.

Daniel Barber’s austere Civil War survival thriller subverts conventional frontier tropes by anchoring its siege inside a lonely Southern farmhouse. Stripping the conflict down to raw, primal survival instincts, the film depicts three isolated women defending their home against rogue Union scouts with unsparing brutality and suffocating silence. Soller appears as Henry, helping establish the ominous climate of predatory lawlessness that defines the scorched-earth backdrop. His performance conveys the casual cruelty born of protracted warfare, cementing his affinity for gritty, historically unvarnished cinema that challenges sentimental genre expectations.

Stripping the space-opera genre down to its revolutionary geopolitical marrow, Tony Gilroy’s vision emphasizes bureaucratic rot and grassroots insurgency over mystical mythmaking. This focused preview captures the industrial gloom of the Pre-Mor Authority, laying out the tactical, dialogue-driven foundation of the franchise's most sophisticated project. The promotional centerpiece spotlights Soller in his definitive breakout mantle as Syril Karn, the uptight, fascistic middle-manager consumed by misplaced zeal. Even in raw teaser form, his pinched intensity and repressed vanity signaled the arrival of one of the modern sci-fi canon’s most fascinating, pathetic antagonists.

Centered around an aging screen icon grappling with the wreckage of his personal life, this introspective drama attempts to deconstruct celebrity, legacy, and Hollywood commodification. While the film occasionally stumbles under the weight of self-conscious meta-commentary, its character-driven vignettes capture the loneliness that stalks high-profile careers. Soller surfaces in a key supporting capacity, bringing grounded warmth and sharp emotional clarity to an otherwise introspective, often drifting script. Even when the overarching pacing falters, his dramatic discipline anchors the central star’s journey of painful self-reckoning.

Lennart Ruff’s ambitious science-fiction thriller imagines an ecologically devastated future where humanity must genetically alter its own physiology to colonize Saturn’s moon. Despite an intriguing body-horror setup and moody, sterile visuals, the screenplay quickly collapses under derivative genre plotting, squandering its provocative transhumanist ideas on pedestrian military-conspiracy tropes. Soller is assigned the thankless role of Dr. Elliot Durant, struggling against clunky exposition and thin scientific jargon. While he injects clinical urgency into his lab-bound scenes, the underwritten material offers him little room to display his trademark psychological nuance, marooning his talent in a formulaic misfire.