All 4 Best Madison Lintz Movies Ranked (Best to Worst)

Generational culture clash fuels Andy Fickman’s family comedy, pitting Billy Crystal and Bette Midler’s old-school grandparents against modern, helicopter-parent neuroticism. The humor balances slapstick with sincere generational friction, maintaining a crisp studio sheen that allows its seasoned comedic leads to trade sharp one-liners. Lintz enters the fray as Ashley, offering an energetic, grounded presence amid the chaotic household antics. Filmed during the height of her early recognition, her role here demonstrated an intuitive comedic timing and light touch that contrasted sharply with the harrowing dramatic survival roles defining her television beginnings.

Paranoia and predatory wellness culture collide in this lean psychological thriller, tracking a daughter who infiltrates a high-control self-actualization compound to rescue her mother. Directorially taut, the film avoids sensationalist melodrama in favor of quiet, creeping dread, dissecting how charismatic manipulation exploits emotional grief. Lintz anchors the narrative tension with calculated composure, channeling an adult grit built on quiet wariness rather than hysterical panic. It represents a pivotal transition in her career canon, confirming she can effortlessly shoulder complex indie material and command suspense without relying on franchise scaffolding.

When two solitary survivors wake up in a ghost-town void bordered by an encroaching black mist, director Ryan Smith’s indie mystery builds an eerie, atmospheric puzzle box. Leaning heavily on surreal dream logic and desolate production design, the film works best as a moody metaphor for trauma and unresolved limbo. Lintz appears in key flashback sequences as Young Ana, functioning as an emotional lodestar that grounds the central mystery in raw childhood memory. Though her screen time is calibrated and brief, she instills the fragmented timeline with genuine pathos, elevating the emotional stakes when the visual effects falter.

Modern demonic possession tropes receive a workmanlike run-through in Jason DeVan’s retro-leaning horror exercise, which pulls heavily from William Friedkin’s playbook without matching its primal terror. The film follows an orphaned teen whose yearning for spiritual closure inadvertently opens a portal to malevolent entities, delivering familiar genre beats, creaking floorboards, and ritualistic exorcism showdowns. Lintz navigates the peripheral chaos as Hannah, providing a steadying, human anchor when the narrative veers toward well-worn supernatural camp. While the script underutilizes her dramatic range, she injects earnestness into an otherwise formulaic genre exercise.