All 10 Best Mila Kunis Movies Ranked (Best to Worst)

Darren Aronofsky’s psychological thriller operates as a hallucinatory fever dream about artistic obsession and physical deterioration within elite ballet. Driven by Tchaikovsky’s haunting score and Matthew Libatique’s relentless handheld cinematography, the film transforms rigorous rehearsal into visceral body horror. It is an unsparing study of artistic destruction where the pursuit of perfection shreds sanity. Kunis counters Natalie Portman’s brittle, anxious discipline with effortless sensuality and destabilizing spontaneity as Lily, the seductive embodiment of the Black Swan. Striking without ever overplaying her hand, Kunis delivers the dramatic triumph of her career, projecting an elusive, predatory warmth that rightfully secured her major award nominations.

Nicholas Stoller’s Hawaii-set comedy remains one of Judd Apatow’s sharpest produced romantic debacles, elevating the breakup story through genuine emotional vulnerability and merciless self-effacement. The film balances Jason Segel’s raw, wounded slapstick against lavish tropical resort absurdity, allowing heartbreak to feel agonizingly real yet profoundly hilarious. At the center of this romantic recovery sits Rachel, the resort concierge who anchors the chaotic farce with dry, patient charm. Kunis turns what could have been a standard manic pixie fantasy into a grounded, effortlessly cool counterweight. Her breezy comic timing and easy chemistry not only rescued the lead from his spiral but established her as a major big-screen romantic powerhouse.

Will Gluck’s Manhattan rom-com takes direct aim at early-2000s genre clichés while happily indulging in the crisp banter of classic screwball comedies. Driven by manic urban pacing, sharp editing, and witty subversion of Hollywood romantic tropes, the narrative crackles whenever its two cynical protagonists attempt to divorce physical intimacy from emotional fallout. Kunis carries the film’s tempo as Jamie, a street-smart headhunter whose defensive cynicism barely conceals deep emotional exhaustion. Her lightning-fast verbal ping-pong with Justin Timberlake showcases a peerless grasp of cadence, proving her comedic instincts could elevate conventional commercial material into sparkling, whip-smart contemporary banter.

Written and directed by Jon Lucas and Scott Moore, this rebellious suburban comedy taps into the collective exhaustion of modern maternal perfectionism. The film builds its laughs on the brutal, competitive realities of bake sales, PTA politics, and unattainable domestic standards, escalating into cathartic, gleefully vulgar rebellion. Kunis anchors the chaos as Amy Mitchell, an overworked mother pushed to the brink of collapse. Her performance balances relatable exasperation with infectious kinetic glee once she stops playing by the neighborhood rules. By letting loose alongside a gifted ensemble, she cemented her box-office viability as an unapologetic, sharp-witted comedic lead.

Seth MacFarlane’s live-action directorial debut pairs filthy, absurd adult humor with genuine fairy-tale heart, turning a pot-smoking CGI teddy bear into an arresting metaphor for arrested development. The narrative thrives on Boston vulgarity and nostalgic pop-culture detours, yet the central conflict requires real emotional stakes to prevent the gimmick from collapsing. Kunis plays Lori Collins, the pragmatic girlfriend caught between romantic loyalty and sheer disbelief at her partner’s immaturity. Instead of succumbing to the thankless, nagging killjoy trope, she injects genuine warmth and dry amusement into the proceedings, giving the outlandish raunch a steady, human core.

The Hughes brothers bathe this post-apocalyptic neo-western in desolate sepia tones and sweeping, brutal action choreography, framing faith and survival in a sun-bleached wasteland. Anchored by Denzel Washington’s stoic presence, the film meditates on the destructive and redemptive power of scripture across ruined American plains. Kunis steps into the grimy reality as Solara, an innocent bargaining chip who evolves into a hardened desert survivor under Washington’s reluctant tutelage. While the gritty, sparse setting was a stark departure from her usual urban territory, Kunis handles the shifting physical demands and moral weight with striking conviction.

Rian Johnson’s third Benoit Blanc whodunit shifts the detective franchise into hushed gothic intrigue, tackling clerical power, small-town hypocrisy, and twisted devotion with biting social satire. The film thrives on intricate plotting, sharp structural reversals, and razor-edged tension that dissects religious dogmatism with elegant visual style. Kunis slides into Johnson’s eccentric ensemble with calculated restraint, bringing a skeptical, acidic presence that destabilizes the suspect lineup. Her performance thrives on loaded glances, clipped observations, and measured barbs, demonstrating that her established dry delivery flourishes exceptionally when paired with high-concept puzzle-box mystery mechanics.

This sprawling, hour-long animated feature lovingly dismantles 'Star Wars: A New Hope' with relentless cutaways, meta-humor, and precise frame-by-frame parody. Backed by John Williams’s original orchestrations and striking cel animation, the project succeeds because of its encyclopedic affection for the space opera source material. Taking on the infamous trash-compacting role of the Dianoga, Kunis leans into self-deprecating vocal delivery with perfect deadpan execution. Though a vocal cameo within a feature-length parody, her work here highlights the decades-long voice acting pedigree that sharpened her peerless comedic rhythm long before live-action stardom called.

Sam Raimi paints this prequel to the classic L. Frank Baum mythology with dizzying primary colors, theatrical sets, and signature horror-adjacent visual flourishes. Despite lavish worldbuilding and energetic set-pieces, the narrative frequently stumbles under bloated exposition and uneven pacing. Kunis undergoes the film’s most dramatic metamorphosis as Theodora, shifting from a naive, heartbroken romantic into the cackling Wicked Witch of the West. While Raimi’s hyper-stylized melodrama occasionally clashes with modern acting naturalism, Kunis commits fiercely to the green-skinned theatrics, providing the film with its most memorable flashes of tragedy and unrestrained fury.

Lana and Lilly Wachowski construct a dizzying space opera brimming with baroque aesthetics, genetic dynasties, and jaw-dropping anti-gravity chases across celestial megastructures. For all its brazen imagination and visual density, the script buckles under convoluted universe rules and erratic tonal swings that undermine its grand ambitions. Kunis stars as Jupiter Jones, an undocumented toilet cleaner turned galactic heiress, projecting an earnest innocence amid relentless galactic turmoil. While the sprawling narrative often treats her as a passive pawn swept between rescue sequences, Kunis manages to supply grounded sincerity and occasional self-aware wit to an overwhelming spectacle.