All 10 Best Naomi Scott Movies Ranked (Best to Worst)

Parker Finn’s psychological sequel escalates its sinister curse into an unrelenting nightmare of pop-star celebrity psychosis. Anchored by dazzling sensory assaults, fractured mirrors, and unyielding panic, the film weaponizes the suffocating pressure of stadium tours against psychological dread. It functions less as standard jump-scare fodder and more as an incisive dissection of inherited trauma and industry commodification. In Skye Riley, Scott delivers an unhinged tour de force that commands every single frame. Oscillating between glamorous choreography, manic breakdowns, and sweat-drenched exhaustion, she exposes raw emotional nerve endings without shielding vanity. It is the crowning dramatic achievement of her career, permanently establishing her as an extraordinary leading powerhouse.

Ridley Scott’s survival epic represents contemporary science fiction at its most rigorous, humane, and optimistic. Drew Goddard’s witty, mathematically grounded screenplay turns orbital mechanics and botanical ingenuity into nail-biting suspense, backed by Dariusz Wolski’s grand visual scope and an exceptional ensemble led by Matt Damon. Even with its sprawling runtime, the pacing remains brisk and intellectually thrilling. Scott’s presence here as mission control tech Ryoko remains a fascinating footnote in her ascending career. While her screen time was drastically trimmed in the theatrical cut, her inclusion inside such an airtight, multi-Oscar-nominated production provided crucial early industry momentum, placing her among elite Hollywood craftspeople right before her major commercial breakout.

Guy Ritchie’s live-action reimagining injected vibrant kinetic pacing and kaleidoscopic visual pageantry into Agrabah’s familiar mythos. While Disney updates frequently struggle under the weight of nostalgic reverence, the production found fresh life through updated comedic sparring, dynamic street chases, and modern orchestral arrangements. At the center of this revival, Scott’s Princess Jasmine evolved from a passive romantic foil into an outspoken political strategist. Her belt-heavy, defiant performance of 'Speechless' provided the film’s undisputed dramatic climax, showcasing an operatic vocal range and royal gravitas that effortlessly stole the spotlight from her co-stars. It transformed her into an international marquee name capable of carrying nine-figure blockbusters on charisma alone.

Patricia Riggen’s dramatization of the 2010 Copiapó mining collapse balances subterranean claustrophobia with the grueling vigil kept by frantic families above ground. The screenplay avoids exploitative sensationalism, relying instead on tactile sound design, crumbling granite, and communal grief to honor the sixty-nine days of isolation endured by the miners. Scott brings striking gentleness and quiet dignity to Escarlette Sepulveda Valdivia, daughter of Mario Sepulveda. Rather than succumbing to melodrama, she anchors the surface-level stakes with tearful resolve and naturalistic poise. Her performance offered early, undeniable proof that her emotional instincts belonged on the big screen, proving she could hold her own alongside Antonio Banderas and Juliette Binoche in intense historical material.

Dean Israelite approached this mid-budget franchise reboot with surprising sincerity, modeling Angel Grove’s misfit heroes on John Hughes teen archetypes rather than disposable superhero tropes. The film wisely spends its first two acts developing adolescent alienation, personal shame, and burgeoning teamwork before indulging in polished, neon-lit martial arts mayhem. Scott shines as Kimberly Hart, stripping the Pink Ranger of dated bubblegum tropes to reveal a guilt-ridden teenager navigating social ostracization. Her wounded, guarded demeanor provides the ensemble’s sharpest emotional spine, balancing gritty physical commitment with empathetic vulnerability. While sequel plans ultimately stalled, her layered interpretation remains a high-water mark for the property’s modern reinventions.

Detention becomes a crucible for adolescent self-expression in this spirited Disney Channel musical, which rises above network clichés thanks to energetic garage-pop anthems and genuine thematic honesty. Tackling parental expectations, socio-economic divides, and artistic rebellion, the narrative treats its teenage ensemble with dignity, driven by catchy pop-rock hooks that outlasted the broadcast era. Scott’s role as bassist Mohini 'Mo' Banjaree served as her true calling card. Juggling cultural friction at home with fiery stage presence, she balanced classical discipline against raw vocal energy. The role showcased her magnetic multi-hyphenate potential as a singer-actor, forging a dedicated generational fanbase that anticipated her transition to major cinematic projects.

Elizabeth Banks attempted to retool the classic espionage property into a quirky, sisterhood-driven spy caper prioritizing camaraderie over sheer male-gaze titillation. While the narrative stumbles through uneven pacing, sporadic comedic rhythm, and an undercooked villainous twist, the central trio’s infectious dynamic keeps the engine humming during globetrotting set-pieces. Playing whistleblower software engineer Elena Houghlin, Scott operates as the audience surrogate, injecting infectious comedic neuroticism into a world of hardened assassins. Her wide-eyed bumbling, sudden bursts of technological bravery, and charming physical comedy steal scenes from more conventional action beats, proving her versatile instinct for screwball energy even when the overarching screenplay loses its footing.

Tom Ruddock’s brief indie drama unfolds in the melancholic stillness of a cemetery, exploring grief, chance encounters, and human connection following a profound family loss. Modest in scale and hushed in tone, the short relies entirely on observational nuance, quiet glances, and tender dialogue rather than dramatic artifice to process overwhelming sorrow. Scott appears as Maura, radiating understated empathy that instantly pierces through the protagonist’s depressive fog. Even in a compact running time, her unforced presence establishes naturalistic intimacy without sentimental excess. The project remains a lovely, stripped-down relic of her early London indie work, illustrating her instinct for authentic character interaction before mega-budget studio machinery intervened.

Josh Gordon and Will Speck’s sci-fi survival comedy strands an asteroid miner across an unforgiving alien landscape, relying on communicative banter across comms channels to generate emotional stakes. Despite imaginative planetary creature designs and striking terrain, the tonal balancing act between perilous creature-feature suspense and deadpan slacker comedy never fully harmonizes. Scott plays Naomi, a fellow survivor whose voice and occasional presence propel the narrative journey forward. While she injects genuine warmth, pluck, and quick-witted banter into the radio frequency, the script gives her limited spatial freedom to develop a fully realized physical performance. It registers as a missed opportunity despite her undeniable charm under pressure.

Structured as an exhaustive promotional documentary, this behind-the-scenes feature traces the modern overhaul of Angel Grove mythology, from concept art and creature redesigns to rigorous stunt boot camps. While film historians and franchise loyalists will appreciate the granular technical breakdowns and stunt rehearsals, the piece is ultimately tailored as supplementary home-video material rather than an independent cinematic narrative. Scott appears across candid interviews and physical preparation clips, offering sharp commentary on her character’s psychology and the physically demanding training regimen. It offers a transparent window into her dedication to craft and professional discipline, yet naturally occupies the bottom tier of her creative filmography.