All 10 Best Nick Robinson Movies Ranked (Best to Worst)

Greg Berlanti’s landmark teen romance operates with the breezy wit of John Hughes while charting emotionally urgent, contemporary territory. Centered on a closeted suburban high schooler navigating blackmail and anonymous online love, the picture balances crowd-pleasing warmth with legitimate dramatic ache. Simon’s bedroom confessions and anxious suburban walks hit hard because the film never treats teenage longing as trivial melodrama. Robinson carries every frame with an aching, internalized elegance. Instead of leaning on grand dramatic gestures, he anchors Simon Spier with tentative smiles, panicked gazes, and an irresistible charm that made the film a generational touchstone and Robinson's definitive career triumph.

Jordan Vogt-Roberts delivered one of the freshest indie comedies of the 2010s with this sun-dappled fable of teenage rebellion. Escaping oppressive parents to build a makeshift house deep in the woods, three boys attempt to live off the land with hilariously disastrous results. The film sparkles through lyrical camerawork, sharp improvisational humor, and genuine bittersweet pangs about the fleeting nature of youth. Robinson leads the charge as Joe Toy, channeling blistering teenage frustration and stubborn pride into a breakout performance. His barbed comedic timing and raw emotional defiance instantly signaled a young actor possessing maturity far beyond his years.

Adam Carter Rehmeier captures the sweltering chaos of mid-90s Nebraska adolescence with riotous, nostalgic precision. The narrative tracks two inseparable schemers running a municipal pool concession stand, colliding headfirst with fast cash, summer rivalries, and early romantic heartbreaks. Beneath the profane banter and sun-bleached aesthetic lies a surprisingly tender exploration of male camaraderie and inevitable maturation. Robinson steps into the role of Shane, the older, effortlessly cool big brother figure whose life advice and tragic gravity ground the raucous antics. His grounded, relaxed maturity gives the third act surprising soul, cementing his knack for stealing key supporting scenes in indie gems.

Colin Trevorrow successfully resurrected the dinosaur phenomenon by leaning into slick modern spectacle and unbridled amusement-park bedlam. When the genetically engineered Indominus Rex shatters containment on Isla Nublar, pristine luxury transforms into primal survival horror. While sweeping visual effects and iconic reptilian clashes dominate the screen, the survival plot relies heavily on the frantic human stakes of two estranged brothers caught in the crossfire. Robinson plays Zach Mitchell, turning what could have been a generic, disaffected teenager glued to his smartphone into a protective, resourceful older sibling. His deadpan skepticism provides welcome levity before cleanly transitioning into genuine protective adrenaline.

Juan Carlos Fresnadillo inverts fairy-tale romanticism into a gritty, cavernous survival thriller. When an innocent bride discovers her fairytale marriage is a ritual blood sacrifice to settle an ancient debt with a dragon, the narrative shifts into an unrelenting physical crucible. The film excels at high-contrast subterranean tension, utilizing ash, brimstone, and survivalist grit to subvert traditional fantasy tropes. Robinson plays Prince Henry, the duplicitous royal whose charming exterior conceals spineless moral cowardice. It is a calculating, unvarnished turn where Robinson deliberately undercuts his familiar boy-next-door likability, embracing the shadowy compromises of royal duty with chilling understatement.

Stella Meghie brings unexpected visual panache and emotional buoyancy to Nicola Yoon’s celebrated YA romance. Trapped inside a hermetically sealed smart home due to severe combined immunodeficiency, Maddy finds her world turned upside down by the earnest boy living next door. Meghie injects architectural daydreams and whimsical text-message sequences that prevent the claustrophobic premise from wilting into pure bathos. Robinson provides the crucial counterbalance as Olly Bright, radiating gentle empathy, quiet intensity, and boyish optimism. His effortless naturalism anchors the high-concept melodrama, proving once again his exceptional ability to elevate teen romance tropes into sincere, resonant drama.

Roseanne Liang’s pulpy midnight-movie mashup combines claustrophobic World War II aviation combat with chaotic monster horror. Confined inside the ball turret of a B-17 Flying Fortress, a mysterious female flight officer must protect top-secret cargo from both Japanese fighter planes and a vicious gremlin stalking the hull. The pacing is ferocious, backed by a propulsive synth score and relentless kinetic stunts. Robinson takes on a supporting role as Stuart Beck, one of the cynical crew members stationed aboard the doomed bomber. While the screenplay keeps him primarily bound to radio banter and cockpit chaos, he supplies steady, period-accurate blue-collar grit.

Tarcisius O’Connor examines the ideological rise and chaotic downfall of the darknet’s most notorious black-market bazaar. The film pits libertarian internet pioneer Ross Ulbricht against a rogue, technologically illiterate DEA agent in a cat-and-mouse collision. While the screenplay struggles to match the electric pacing of classic tech-crime dramas, its scrutiny of digital hubris remains intriguing. Robinson tackles Ulbricht with earnest intellectual arrogance, showcasing how utopian idealism curdles into paranoia and moral rot. Even when the pacing stumbles into conventional procedural rhythms, Robinson’s committed portrayal of self-delusion keeps the central character study afloat.

Modern romance takes an eccentric spin through unintended digital intimacy in this high-concept relationship study. When raw, confessional audio messages intended for a deceased sibling bounce to an unsuspecting recipient, emotional boundaries dissolve across cyberspace. The premise treads tricky tonal water, wrestling with grief, voyeurism, and sudden infatuation. Robinson navigates this peculiar landscape with tender restraint, acting largely against vocal recordings and unseen connections. It is a low-key, experimental showcase that hinges on his ability to express internal shifts without dialogue partners, though the film occasionally strains beneath the sheer contrivance of its setup.

J Blakeson’s post-apocalyptic adaptation arrived at the tail end of Hollywood’s dystopian YA gold rush, struggling to stand out amid familiar tropes. Alien invaders dismantle civilization across systematic stages—emp blasts, tsunamis, engineered pestilence—leaving a fractured teenage militia fighting for survival. Despite occasional bursts of kinetic action, the plotting feels hurried and overburdened by cliché romantic subplots. Robinson plays Ben Parish, aka 'Zombie,' leading a squad of child soldiers through military drills and alien skirmishes. Robinson delivers solid grit and genuine emotional commitment, but his efforts cannot overcome the film's derivative script and flat execution.