All 10 Best Olivia Cooke Movies Ranked (Best to Worst)

Darius Marder’s visceral study of sensory grief and radical acceptance remains one of the finest sonic experiments in contemporary cinema. Anchored by revolutionary sound design that puts viewers directly inside the suffocating fog of rapid hearing degradation, the narrative avoids melodramatic pitfalls to locate genuine spiritual reckonings. Cooke delivers devastating vulnerability as Lou, the punk-rock partner battling her own codependency and trauma. Shaving her eyebrows and raw-dogging heavy emotional freight opposite Riz Ahmed, she refuses to let Lou devolve into a supportive-girlfriend trope. Instead, she crafts a fiercely realized survivor whose painful growth provides the picture with its beating, bruised heart.

Cory Finley’s wicked suburban neo-noir operates with the lethal precision of a metronome. Driven by percussion-heavy soundscapes and chilly, symmetrical cinematography, the film skewers the psychopathic apathy of Connecticut's ultra-wealthy youth through dialogue that cuts like polished obsidian. Cooke's performance as Amanda, a clinically emotionless teenager who mimics social cues to blend in, is a deadpan marvel. Playing opposite Anya Taylor-Joy, Cooke strips away all conventional sentimentality, delivering line readings with chilling, hypnotic detachment. It is a razor-sharp high-wire act that cemented her status as one of the most intellectually daring young actors of her generation.

Alfonso Gomez-Rejon’s Sundance Grand Jury Prize winner navigates the notoriously treacherous waters of adolescent illness without succumbing to cheap manipulation. Blending playful Godardian cinephilia with stop-motion interludes and rapid-fire visual wit, the film confronts the absurdity and indignity of cancer through an authentic coming-of-age lens. Shaving her head and stripping her delivery of self-pity, Cooke makes Rachel an irreverent, sharp-tongued force rather than a tragic martyr. Her chemistry with Thomas Mann is crackling and genuine, ensuring the character’s emotional aftermath lingers long after the meta-humor fades. It remains the essential milestone that announced her arrival as an extraordinary dramatic heavyweight.

Chad Hartigan’s haunting romantic sci-fi imagines a pandemic of neurodegenerative memory loss with devastating, poetic restraint. Avoiding apocalyptic chaos, the narrative stays rooted inside cozy apartments and seaside walks, capturing the quiet horror of watching personal histories vanish into white noise. Cooke plays Emma with an agonizing, tender grace, grounding the high-concept premise in genuine domestic intimacy alongside Jack O’Connell. Her breakdown sequences land like seismic shocks because she anchors every scene in desperate, quiet realism. It stands as one of her most criminally underappreciated projects, highlighting an ability to shoulder high-concept grief with effortless emotional maturity.

Steven Spielberg’s kinetic pop-culture safari hurtles through virtual landscapes with relentless visual invention and dizzying scale. Even as the digital spectacle threatens to drown the story in kinetic nostalgia and CGI velocity, the OASIS rebellion works because its human stakes remain legible on the surface. Cooke cuts straight through the dizzying digital noise as Art3mis and Samantha Evelyn Cook, supplying the rebellion with fierce political motivation and real-world spine. While blockbusters often sideline female co-leads into prizes to be won, she dictates the energy of the resistance, ensuring the film’s high-tech kineticism stays anchored to actual human conviction.

Juan Carlos Medina’s atmospheric murder mystery drapes Victorian London in murky cobblestones, garish music-hall footlights, and Grand Guignol dread. Investigating a serial killer terrorizing the East End, the film marries gothic police procedural tropes with subversive theater-world politics and identity shifts. Cooke anchors the intrigue as Elizabeth Cree, an ambitious music hall performer accused of poisoning her husband. Navigating period-piece formality alongside sinister ambiguity, she commands the screen with theatrical flair and hidden steel, matching seasoned veterans like Bill Nighy beat for beat. It is a showcase for her uncanny ability to project historical grit without sacrificing psychological modernism.

William Eubank’s mind-bending indie sci-fi begins as an ominous hacker road trip before detonating into sterile, paranoid government confinement and surreal bio-mechanical horror. Relying on vivid high-contrast framing and jarring auditory shifts, the film punches well above its modest budget in pure visual audacity. Cooke appears as Haley, the grounded anchor caught in an escalating nightmare alongside Brenton Thwaites. While the puzzle-box script occasionally prioritizes kinetic reveals over character interiority, she injects palpable physical dread into the proceedings. Her raw panic and stoic survival instincts keep the cerebral, abstract twists tethered to recognizable human stakes throughout the escalating madness.

Set against the bustling backdrop of 1920s New York, this energetic animated feature follows a young woman disguised as a man to join the city’s all-male fire brigade. The film combines spirited slapstick with eye-popping vintage color palettes, offering a lively, family-oriented celebration of perseverance and community courage. Voicing the spunky protagonist Georgia Nolan, Cooke injects the animation with brisk comic timing and infectious warmth. While the narrative sticks strictly to predictable formulaic beats, her vocal performance brings an infectious spark that lifts the material above standard Saturday-morning fare, showing off her natural comedic energy in the voice booth.

Dan Fogelman’s sprawling multi-generational drama attempts to map out the cosmic connections binding disparate families through tragedy, fate, and redemption. Straining under the weight of extreme sentimentality and convoluted narrative coincidences, the film buckles under its own melodramatic ambitions despite an accomplished cast. Cooke arrives in the second chapter as Dylan, an angst-ridden, punk-leaning daughter wrestling with inherited grief. She brings authentic bite, acidic vulnerability, and fierce musical presence to a script heavily bogged down by greeting-card philosophy. Even inside an overcooked narrative, her scenes crackle with genuine, unvarnished emotional truth that resists the surrounding heavy-handedness.

Stiles White’s franchise launcher sticks rigidly to conventional supernatural formulas, relying on clattering floorboards, ominous spirit boards, and standard PG-13 jump scares. Hamstrung by clunky dialogue and predictable haunted-house mechanics, the film struggles to generate genuine suspense beyond mechanical genre shock tactics. Taking on the final-girl duties as Laine Morris, Cooke works tirelessly to invest disposable teen-horror tropes with authentic, creeping terror. Even when saddled with flimsy plotting and thin character motivation, her natural gravitas keeps the ghost story marginally watchable. It serves as an early career stepping stone, proving her screen magnetism could outshine lackluster commercial studio material.