All 10 Best Samara Weaving Movies Ranked (Best to Worst)

Radio Silence's 2019 horror-comedy operates as a viciously entertaining assault on aristocratic decadence and inherited wealth. Set within a claustrophobic, candlelit dynasty estate, the film weaponizes a grim hide-and-seek ritual into a tight exercise in suspense, balancing pitch-black humor with gruesome body horror. Grace's transformation from starry-eyed bride to shotgun-toting avenger hinges entirely on Weaving's electric, uninhibited commitment. Armed with a yellow Converse sneaker and a torn wedding gown, she shrieks with guttural rage rather than dainty victimhood. It stands as her undisputed magnum opus, establishing her iconic silhouette in modern horror history.

Stephen Williams' sumptuous biographical drama reconstructs pre-revolutionary France through the lens of Joseph Bologne, the Chevalier de Saint-Georges. Lavish production design and crisp orchestral staging frame a searing critique of institutional racism within the Parisian aristocracy. Amid the rigid societal opulence, Weaving delivers one of her quietest, most emotionally resonant turns as Marie-Joséphine de Montalembert, a gifted singer trapped under patriarchal tyranny. Shedding her signature genre manic energy, she communicates tragic artistic passion and romantic longing through subtle inflections and poised melancholy, proving her prowess within prestige costume drama.

McG's blood-splattered suburban nightmare gleefully dismantles the quintessential 1980s coming-of-age fantasy. When an innocent tween stays up past bedtime, he discovers his cool, pop-culture-fluent caretaker is orchestrating ritualistic human sacrifices. The picture moves at a breakneck, hyper-stylized pace, indulging in explosive gore and sharp pop-culture volleys. Weaving commands the frame as Bee, radiating an intoxicating mix of maternal affection and demonic menace. Her ability to keep the villain magnetic, warm, and horrifying simultaneously gave the film its viral pulse and put Hollywood on notice regarding her screen presence.

Joe Lynch's high-octane corporate bloodbath unleashes a weaponized pandemic inside a locked-down legal high-rise. Strip-mining modern workplace anxieties, the narrative pits middle management against sociopathic executives in brutal, close-quarters combat with nail guns and wrenches. Alongside Steven Yeun, Weaving plays Melanie Cross, a furious client wronged by banking bureaucracy. She matches Yeun stride for stride with unhinged ferocity and sharp comedic timing, swinging blunt instruments with cathartic glee. This early genre standout crystallized her exceptional talent for anchoring frantic, violent satire with infectious, rebellious charm.

A bilingual remake of the French comedy, Richard Wong's sunny studio picture uses Hollywood celebrity superficiality to examine class divides and cultural identity across Los Angeles. Eugenio Derbez brings understated sweetness as the invisible parking attendant hired to stage an affair with a global movie star to deflect a tabloid scandal. Weaving plays Olivia Allan with striking empathy, refusing to let the character collapse into a vain celebrity caricature. She brings genuine emotional vulnerability to the superstar facade, grounding what could have been a disposable farce into an endearing character portrait.

Jason Lei Howden's neon-drenched sensory overload turns internet troll culture into a gladiatorial arena where digital degenerates spectate live-streamed assassinations. Starring Daniel Radcliffe as a hapless developer with pistols bolted to his hands, the film adopts a frantic comic-book grammar full of frenetic whip pans and industrial music cues. Weaving steals every sequence she inhabits as Nix, the psychotic, tooth-rotting apex killer of the tournament. Though the picture's chaotic editing occasionally exhausts, her wild, cackling commitment provides the film with its most entertaining, unhinged visual punch.

This gritty crime thriller pulls an ex-teenage getaway driver back into the crosshairs of the criminal underworld to pay off an impossible debt. Grounded in rubber-burning car chases, warehouse exchanges, and relentless ticking-clock pacing, the script leans into classic neo-noir tropes with mixed results. Weaving shoulders the picture with gritty physical focus, bringing weariness and tactical competence to a role usually reserved for grim male leads. While the narrative treads familiar asphalt, her sharp instincts and magnetic screen gravity keep the motor running through predictable plot detours.

Isolated cabin thrillers rely on psychological warfare, and this black-comic duel takes matrimonial dysfunction to its logical, homicidal extreme. Two spouses attempt to assassinate each other under the guise of an idyllic wilderness weekend, triggering a messy sequence of traps, blunt force trauma, and bitter arguments. The scenario wears thin across ninety minutes, yet Weaving mines every ounce of venomous comedy from the wreckage. Her razor-sharp delivery and unvarnished physical handling of slapstick combat rescue several sluggish scenes, even when the underlying material struggles to reach the heights of its premise.

Robert Schwentke's studio attempt to revive the G.I. Joe intellectual property focuses on clan loyalty, ninja honor, and high-tech corporate syndicates. While the film boasts kinetic fight choreography and sleek Tokyo settings, it suffers from overbearing franchise mythology and muddy character motivations. Weaving enters late as Scarlett, the crossbow-wielding counter-intelligence operative. She brings welcome levity, effortless poise, and clean physical execution to her combat scenes, but the script leaves her sidelined in favor of convoluted origin mechanics, making her involvement feel more like a wasted audition for a better action vehicle.

Continuing the nightmarish aftermath of the Le Domas estate massacre, this sequel thrusts Grace into an expanded gauntlet of high-stakes survival against escalating supernatural and human threats. The production attempts to supersize the bloodletting, yet it trades the focused social satire and organic tension of the original for repetitive chase mechanics and franchise worldbuilding. Weaving remains fiercely dedicated to the role, delivering the same rasping screams, bloodstained grit, and desperate ingenuity that built her reputation. Unfortunately, even her indefatigable stamina cannot entirely mask the diminished thematic returns of an over-engineered retread.