Top 6 Best Movies Like Anna (Ranked & Where to Stream)

Director Phillip Noyce strips away glossy spy gadgets to give Evelyn Salt raw, pragmatic velocity. Angelina Jolie plays the suspected Russian mole with fierce physical commitment, relying on makeshift explosives, urban parkour, and split-second tactical recalibrations across Washington D.C. The narrative refuses to slow down, treating every government corridor as a claustrophobic trap while keeping her true allegiance purposefully shrouded in ambiguity. If the layered KGB loyalties and nesting-doll deceptions of Anna kept your brain racing, Salt delivers that exact brand of blistering, identity-shifting espionage with even tighter pacing and grit.

Quentin Tarantino swaps the frenetic anime-inspired chaos of the first volume for Leone-style desert standoffs and dialogue-driven menace. Uma Thurman’s Beatrix Kiddo faces grueling physical tutelage under martial arts master Pai Mei, transforming vengeance from a blunt instrument into high tactical art. It is a patient, muscular character study about severing ties with toxic mentors through absolute, unyielding discipline. The film speaks directly to anyone drawn to Anna for its portrait of a deadly woman methodically dismantling the powerful men who engineered her into a weapon to reclaim her freedom.

Directed by Pierre Morel, this chaotic French-American actioner pairs Jonathan Rhys Meyers' desk-bound diplomat with John Travolta's unhinged, bald, gun-toting CIA loose cannon. The production speeds through Parisian banlieues, staging brutal close-range shootouts with zero regard for bureaucratic decorum. Travolta chews through scenery while gunning down drug rings and uncovering terrorist plots with absurd, reckless panache. Sharing Luc Besson’s signature kinetic screenwriting and Parisian underworld stomping grounds, this operates on the exact same hyper-kinetic frequency that fuels the bloody restaurant skirmishes in Anna.

Xavier Gens embraces slick neo-noir aesthetics, dressing Timothy Olyphant’s barcode-tattooed assassin in crisp suits against frosty Eastern European architecture. Agent 47 operates with metronomic calm, executing sniper hits and dual-pistol ambushes while navigating a web of Russian political corruption and an unexpected human connection. The film’s chilly color palette and heavy industrial percussion create an atmospheric, clinical world of contract killing. For viewers drawn to the icy Moscow safehouses and ruthless tactical maneuvers central to Anna, this adaptation offers an identical diet of cold-blooded tradecraft and agency betrayals.

Antoine Fuqua reteams with Denzel Washington to explore the heavy emotional weight of government-sanctioned violence. Robert McCall lives a ghost-like existence as a Lyft driver until the targeted murder of his former handler forces him back into operational wetwork. Washington commands the frame with terrifying stillness, weaponizing everyday household items before orchestrating a brutal final standoff inside a hurricane-ravaged coastal town. Fans will appreciate how McCall’s methodical exploitation of enemy blind spots mirrors the patient psychological warfare and razor-sharp lethal improvisations displayed in Anna.

Dennis Gansel takes Arthur Bishop on a dizzying international tour of impossible contract hits, leaning heavily into Jason Statham’s deadpan charisma and peerless physical stunts. From drilling through a glass-bottomed infinity pool suspended hundreds of feet above Sydney to infiltrating impenetrable island penal colonies, each sequence plays like an elaborate, fatal puzzle box. The film captures the sleek, high-fashion international aesthetic and ruthlessly engineered survival instincts that will strike an immediate chord with anyone looking for movies like Anna.