Top 6 Best Movies Like Everything, Everything (Ranked)

Director Mitja Okorn approaches terminal illness with punchy, street-level energy rather than mournful solemnity. Jaden Smith plays Daryn, a hyper-focused student tracking a strict life plan who upends everything after meeting Isabelle, played with flinty defiance by Cara Delevingne. The film thrives on Isabelle's refusal to be romanticized as a tragic muse; she demands real experiences, not patronizing pity. Their whirlwind timeline forces both leads to reckon with what living actually requires when the clock runs down. For fans hunting for movies like Everything, Everything, this offers an identical cocktail of innocent romantic obsession colliding head-on with severe medical fragility.

Emilia Clarke brings infectious warmth and eccentric fashion to Louisa Clark, an underemployed small-town girl hired to care for Will Traynor, a paralyzed former daredevil played with bitter wit by Sam Claflin. Director Thea Sharrock focuses squarely on the psychological warfare between Will's calculated cynicism and Louisa's unvarnished optimism, avoiding cheap medical melodrama in favor of sharp, layered dialogue. The castle estate provides an isolating cage that matches Will's emotional retreat. Fans of Everything, Everything will immediately recognize the central dynamic: an isolated soul locked behind physical walls whose worldview cracks open the moment an outsider refuses to accept their boundaries.

Rob Reiner crafts a masterclass in subjective storytelling by splitting the screen time between Bryce and Juli, two suburban kids who interpret every shared look and neighborhood interaction completely differently. Madeline Carroll delivers a standout, spirited performance as Juli, an eco-conscious dreamer who loves sycamore trees and incubates chicken eggs, while Callan McAuliffe portrays the hesitant boy struggling against peer pressure. Reiner saturates the 1960s backdrop with sunny, golden-hued warmth without trivializing the pangs of early adolescence. If the gentle, window-gazing longing of Everything, Everything captured your heart, the innocent, fence-line yearning of this charming coming-of-age piece fits right into that sentimental pocket.

Ross Katz sets this breezy coastal romance against the sun-drenched waterways of North Carolina, where veterinary doctor Travis Shaw clashes with his spirited medical student neighbor, Gabby Holland. Teresa Palmer and Benjamin Walker spark immediate friction over barking dogs and late-night music, evolving their banter into an undeniable, reckless attraction that upends stable relationships. The third act shifts from sunlit flirtation to grave hospital corridors, forcing Travis into agonizing life-and-death choices. That abrupt tonal leap from idyllic summer bliss to high-stakes medical reality directly mirrors the emotional journey that anchors Everything, Everything.

Michael Hoffman tackles the enduring weight of first love through dual timelines, tracking Dawson and Amanda across two decades of regret, class division, and violent family baggage. James Marsden and Michelle Monaghan share a grounded, sorrowful rapport as former sweethearts forced back together by a friend's funeral, while Luke Bracey and Liana Liberato handle their sunlit, reckless teenage origins. The cinematography treats Louisiana bayous and overgrown gardens with lush, romantic reverence. Viewers who loved the forbidden nature and external roadblocks in Everything, Everything will appreciate how this story portrays love as an all-consuming, inescapable force that resists societal expectations.

Jenny Gage directs this glossy adaptation with a focus on interior feminine desire and the disorienting rush of newfound independence. Josephine Langford plays Tessa Young, a pristine freshman whose rigid schedule unravels upon meeting Hero Fiennes Tiffin's brooding, tattoo-clad Hardin Scott. The film leans heavily into tactile sensory details—library stacks, damp lake docks, and quiet dorm rooms—to chart Tessa's sexual and emotional awakening away from an overbearing mother. While Hardin's baggage differs from a medical condition, the narrative engine of a protected young woman venturing outside her controlled perimeter directly channels the core appeal of Everything, Everything.