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Doug Liman’s kinetic crime comedy pulses with raw late-night momentum, tracing a supermarket checkout girl’s ill-fated ecstasy deal across three tangled points of view. Powered by John August’s crackling script and breakthrough performances from Sarah Polley and Timothy Olyphant, the film thrives on frantic pacing, techno-drenched club sets, and sudden spikes of mortal danger treated with irreverent wit. Its three-part structure and breathless single-night escalation make it an essential stop for anyone craving movies like Four Rooms. Both films revel in 90s indie swagger and the domino effect of ordinary workers thrust into catastrophic criminal predicaments.







