
Chronicle
Josh Trank’s kinetic debut weaponizes consumer-grade cameras to trace the psychological collapse of three Seattle high schoolers after they stumble upon a glowing crystalline artifact underground. Dane DeHaan anchors the piece with a searing, vulnerable portrait of social alienation morphing into unchecked telekinetic fury. The direction avoids gimmickry, using telekinesis to float cameras organically through mid-air fights and shattering confrontations. It stands as the definitive companion for viewers exploring movies like Project Almanac, mirroring that raw found-footage energy, garage-level discovery, and the devastating consequences that erupt when immature kids inherit godlike mechanics.









