
Better Man
Michael Gracey directs this surreal biographical musical chronicling British pop juggernaut Robbie Williams, choosing an audacious conceit: Williams is portrayed entirely as a photo-real, CGI chimpanzee. Rather than playing as an odd gimmick, the choice exteriorizes Williams' deep-seated impostor syndrome, self-disgust, and feral stage presence across sweeping, theatrical set pieces. Gracey matches high-octane concert staging with unvarnished admissions of self-sabotage, grounding the bombast in genuine psychological pain. It is the ideological twin to Rocketman, taking the jukebox fantasy framework and dialing up the surrealist self-critique to unpack the dizzying heights and crippling isolation of modern celebrity.








