
What Women Want
Nancy Meyers struck box-office gold by turning Mel Gibson into Nick Marshall, a slick, unapologetically sexist ad executive suddenly granted the ability to hear every unvarnished thought circulating in female minds. Meyers grounds the preposterous premise in crackling screwball dialogue, sharp workplace politics, and terrific chemistry between Gibson and Helen Hunt. It works because it treats telepathy not merely as a prankish superpower, but as a punishing, unsparing crash course in perspective taking. For anyone drawn to the moral reckoning at the heart of Shallow Hal, this film operates on the exact same comedic wavelength, transforming an insufferable bachelor through an involuntary supernatural intervention.









