
Wrath of Man
Guy Ritchie strips away his signature cockney banter for a bleak, thunderous heist thriller centered on Jason Statham's stone-faced armored car guard, Patrick Hill. Anchored by heavy physical presence and Christopher Benstead’s droning, dread-soaked cello score, the film treats armed transport not as blue-collar transit, but as a moving target inside an urban war zone. Statham executes close-quarters combat with clinical, merciless economy. Anyone looking for the steely discipline Frank Farmer displayed in The Bodyguard will appreciate Ritchie’s brutal deconstruction of the professional guardian trope, trading glossy pop romance for unvarnished retribution.







