
The Zone of Interest
Jonathan Glazer’s clinical, unnerving examination of domesticity strips away traditional melodrama to study Auschwitz commandant Rudolf Höss and his wife Hedwig tending their idyllic garden. Shot using static, multi-camera rigs hidden throughout the house, the film never steps inside the camp; instead, Mica Levi’s dread-soaked sound design and distant plumes of chimney smoke make the horror omnipresent. Christian Friedel and Sandra Hüller deliver chillingly detached performances that expose the cold bureaucratic routine behind genocide. By focusing squarely on the boundary wall dividing pastoral domestic life from industrial slaughter, it operates as the rigorous, adult mirror to The Boy in the Striped Pyjamas, dissecting the monstrous apathy that enabled the fence to exist.






