Top 6 Best Movies Like The Interview (Ranked & Where to Stream)

Baltasar Kormákur turns pulp crime into a swaggering, sun-drenched collision course powered by the infectious friction between Denzel Washington and Mark Wahlberg. Playing undercover agents from competing federal departments who mistakenly rob the CIA’s slush fund, both actors trade rapid-fire insults while dodging cartels, corrupt brass, and sadistic military interrogators. The pacing never drags, treating heavy weaponry and tactical betrayals with a breezy, almost reckless bravado. It mirrors the core appeal of The Interview through its weaponized buddy chemistry and the hilarious terror of two men realizing they are disposable pawns in a covert operation way above their pay grade.

Guy Ritchie’s sophomore effort crackles with hyper-stylized kinetic editing, London slang, and a sprawling web of eccentric underworld bottom-feeders. Between Brad Pitt’s unintelligible bare-knuckle gypsy boxer and Alan Ford’s terrifying pig-farming gangster, every scene detonates with cartoonish violence and split-second comic timing. Ritchie choreographs narrative dominoes with surgical audacity, finding gold in the utter incompetence of desperate criminals scrambling for an eighty-four-carat diamond. If you loved how The Interview spun explosive international peril into slapstick absurdity, this chaotic showcase of scheming idiots colliding with genuine psychopaths provides the exact same brand of frantic, bloody amusement.

Directed by the Russo brothers, this hyper-caffeinated international chase pairs Ryan Gosling’s laconic Sierra Six against Chris Evans’ unhinged, loafer-wearing private mercenary Lloyd Hansen. The film moves at an unrelenting clip across European capitals, staging massive urban set pieces full of smoke bombs, tram derailments, and close-quarters brutality. Gosling grounds the chaos with deadpan quips while Evans gleefully chews through high-dollar agency infrastructure. Viewers drawn to The Interview for its absurd spectacle, rogue CIA handler politics, and razor-sharp comic insults injected into life-or-death government conspiracies will find an identical adrenaline rush here.

Daniel Espinosa injects raw, grain-heavy kinetic realism into Cape Town’s claustrophobic back alleys, framing a tense psychological duel between Denzel Washington’s renegade intelligence broker and Ryan Reynolds’ unproven CIA house-keeper. When an off-the-books black site is violently breached by elite mercenaries, the duo goes on the run across crowded slums and sports stadiums with questionable loyalties. Washington commands every frame with chilling intellect, while Reynolds excels as the stressed operative realizing his superiors are compromised. It strikes a familiar chord with The Interview by stranding a green, naive handler alongside an unpredictable target amidst frantic international espionage.

Phillip Noyce’s espionage thriller operates on pure, unrelenting propulsion, anchored by Angelina Jolie’s fiercely physical performance as a CIA officer accused of being a deep-cover Russian mole. Stripped of vanity, the film discards traditional spy dialogue in favor of relentless chases, improvised perimeter breaches, and ruthless hand-to-hand skirmishes inside high-security government installations. Noyce keeps the camera tight and agile, refusing to let the audience catch its breath as loyalties flip repeatedly. For audiences who savored the geopolitical intrigue and assassination panic in The Interview, this delivers a stripped-down, turbo-charged spin on rogue operatives breaking into fortified political sanctums.

Paul Greengrass perfected modern handheld realism here, turning Waterloo Station and Tangier rooftops into breathless cat-and-mouse arenas. Matt Damon plays the amnesiac super-soldier with relentless economy, cutting through corrupt agency directors, tracking teams, and asset assassins to expose Operation Blackbriar. The sound design rattles your teeth, and the frantic cutting captures tactical survival at its apex. It connects back to The Interview through its central obsession with rogue agency whistleblowing and the utter chaos that ensues when the CIA’s dirtiest covert secrets threaten to spill out on live international television.