
Last Night in Soho
Edgar Wright steps away from kinetic comedy to craft a stylish, disorienting psychological horror film centered on a fashion student who finds herself mentally slipping into 1960s London. Thomasin McKenzie and Anya Taylor-Joy deliver magnetic, dual-facing performances, backed by Chung-hoon Chung's intoxicating neon cinematography and meticulously choreographed mirror illusions. Beneath the glittering retro nightlife lies a grim, festering cycle of violence and spectral retribution that steadily overtakes reality. For fans of The Woman in Black, this delivers a similarly vengeful supernatural presence tied directly to historical mistreatment and collective trauma, substituting decayed Victorian manor walls with rotting West End backstage corridors.







