
The Report
Scott Z. Burns crafts a razor-sharp, dialogue-heavy procedural anchored by Adam Driver’s exhausting, obsessive performance as Senate investigator Daniel Jones. Confined largely to windowless basement offices and fluorescent-lit record rooms, the drama unspools like a forensic post-mortem of state secrecy. Burns strips away melodrama to focus entirely on the terrifying administrative mechanics behind the CIA's post-9/11 detention and interrogation tactics. It directly mirrors the shadowy corridor negotiations and institutional manipulation found in Vice, serving as its sober, investigative counterpart.








