Introduction
The galaxy far, far away beckoned once more with Star Wars: The Last Jedi, an installment that arrived shrouded in immense anticipation and fan speculation. Following the tantalizing cliffhanger of The Force Awakens, where Starkiller Base was destroyed and Kylo Ren returned to Snoke, audiences were eager to see the next chapter unfold. The stage was set: Rey sought training from the legendary Luke Skywalker, Kylo Ren had something to prove, and Oscar Isaac's Poe Dameron, alongside the rest of the Resistance, aimed to be the spark that would ignite a rebellion against the First Order. This film promised to push boundaries, and it certainly delivered on that front, taking the saga in directions both exhilarating and, at times, profoundly unexpected.
The Lead Dynamic & The Action
At the heart of this new adventure is the compelling dynamic between the returning heroes and the weight of their legacy. Mark Hamill's portrayal of Luke Skywalker is a standout, presenting a character clearly damaged, with the "weight of the galaxy" on his shoulders. He's an "Old Crow much," a bit of a "dick," and surprisingly sarcastic, yet undeniably still Luke. His arc on the island with Rey is a highlight, filled with a gruff charm and a profound sense of a man who has been "raked through a river of [expletive]," but whose core remains. Meanwhile, Oscar Isaac's Poe Dameron gets significantly more screen time, a welcome development that allows his character to shine as a vital spark for the Resistance. The film even features moments reminiscent of Battlestar Galactica, suggesting Rian Johnson drew inspiration from other epic space sagas.
Visually, Rian Johnson elevates the Star Wars experience to another level. The action sequences, from the sprawling space battles to the intense ground skirmishes, are nothing short of fantastic, with noticeably "less lens flares" than some contemporaries. The film is consistently beautiful, boasting moments of "orgasmically gorgeous" cinematography that demand to be seen on the biggest screen possible – a scene so stunning it makes you want it as a poster or screensaver. Crucially, the film masterfully instills a genuine sense of peril; when characters face danger, the audience feels it, a rare feat in an era of predictable blockbusters where "the feeling of security is gone." The film also packs a lot of humor, though viewers who found The Force Awakens' humor irritating should expect more of the same.
Cameos, Nostalgia & Narrative Stakes
Star Wars: The Last Jedi takes bold, unexpected turns, charting a course unlike any other Star Wars film. While this commitment to fresh storytelling is commendable, not every narrative thread lands with equal impact. The storyline involving John Boyega's Finn and Kelly Marie Tran's Rose, for instance, feels largely insignificant. Their mission to a "dump planet" is described as boring and "just didn't really work," bogging down the film's pacing. This segment, which attempts to deliver a message about animal cruelty, "detract[s] from the movie as a whole" and could have been "shave[d] off a half an hour" from the runtime.
Furthermore, the film underutilizes certain characters, leading to a sense of unfulfillment. The much-anticipated return of Phasma, for example, feels as "useless" as her previous appearance, failing to deliver on her potential. Similarly, the "big super baddie" Snoke, built up in the prior film, ultimately "underwhelmed," leaving some narrative questions unanswered and fans wanting more. These choices, while bold, sometimes feel like a departure from established lore that might leave some long-time fans scratching their heads, wondering "that's not how the Force works." The film's "bold new direction" is both its strength and its potential point of contention, as "narrative-ly speaking," it takes a flight path unlike any other Star Wars movie.
Tone, Direction & Creative Freedom
Rian Johnson's direction is a defining characteristic of Star Wars: The Last Jedi. He injects the film with a considerable amount of humor, which, while generally effective, maintains a similar comedic sensibility to its predecessor. However, Johnson's true strength lies in his willingness to steer the saga into uncharted territory, exploring deeper tones and themes about heroism, failure, and the nature of legends. This is a film that challenges expectations and embraces creative freedom, resulting in a unique entry in the Star Wars canon. It delves into "deeper tones and its themes and the message about heroes and people in general," which is a significant positive.
This is a movie that demands a second viewing to fully appreciate its complexities and to see if initial frustrations fade or solidify. It has "moments of greatness like character moments that I'm going to remember," but also "judgment calls that leave [audiences] feeling underwhelmed and unfulfilled." The film's impact ultimately hinges on "how much the frustrating things frustrate you," making it a highly personal viewing experience.
The Final Verdict
Star Wars: The Last Jedi is a complex, often exhilarating, and undeniably divisive entry into the beloved saga. It delivers moments of genuine greatness, particularly in its character arcs and stunning visual spectacle, making it "definitely enjoyable." Yet, it also makes "judgment calls that leave [audiences] feeling underwhelmed and unfulfilled." This is a film that will spark endless debate, but its commitment to pushing boundaries and its memorable character beats ensure it's a Star Wars experience that demands to be seen and discussed. Despite its flaws, it's a positive and engaging watch that "you should go see."
What Worked
- [[person:2|Mark Hamill]]'s compelling return as Luke Skywalker.
- Visually breathtaking action sequences and cinematography.
- Bold, unexpected narrative choices that push the saga forward.
- A palpable sense of danger and high stakes throughout.
- Deeper exploration of themes like heroism and failure.
What Didn't Work
- The Finn and Rose storyline feels largely insignificant and drags the pace.
- Underwhelming utilization of characters like Phasma and Snoke.
- Some humor may not land for all viewers.
- Certain narrative decisions may divide long-time fans.





